Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray's ' "The Four Seasons Recomposed, Winter (After A. Vivaldi): I. —" was released on its scheduled release date, March 2, 2018. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Through the Lens of Time". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Four Seasons Recomposed, Winter (After A. Vivaldi): I. —'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Four Seasons Recomposed, Winter (After A. Vivaldi): I. — by Max Richter, Francisco Fullana, City Of Birmingham Symphony Orchestra, Carlos Izcaray having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
| Miss Sloane Solo | Max Richter | F Minor | 0 | 4A | 147 BPM | ||
| Suite No. 1 in D Minor: No. 20, Les folies d'Espagne - Pièces de viole, Livre II | Marin Marais, Christian-Pierre La Marca | C Major | 0 | 8B | 68 BPM | ||
| Frontiers: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | E Major | 2 | 12B | 37 BPM | ||
| Autumn 1 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 1 | 7B | 114 BPM | ||
| Grieg: Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Leif Ove Andsnes, Mariss Jansons, Berliner Philharmoniker | D♭ Major | 0 | 3B | 100 BPM | ||
| Dance Odyssey | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | D Major | 3 | 10B | 120 BPM | ||
| Spiegel im Spiegel, for Viola & Piano | Arvo Pärt, Benjamin Hudson, Jürgen Kruse | F Major | 0 | 7B | 80 BPM | ||
| Evgeni's Waltz | Abel Korzeniowski | A♭ Minor | 1 | 1A | 176 BPM | ||
| Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
| Nyman: The Heart Asks Pleasure First | Michael Nyman, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | A Minor | 1 | 8A | 108 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
| Canon in D | Johann Pachelbel, Richard Hickox Orchestra, Richard Hickox | A Minor | 6 | 8A | 85 BPM | ||
| Fantaisie-impromptu in C-Sharp Minor, Op. 66 | Frédéric Chopin, Murray Perahia | D♭ Major | 0 | 3B | 80 BPM | ||
| 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
| Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
| Barber: Adagio for Strings | Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 73 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
| Suite No. 1 in G Major BWV 1007.: I. Prélude | Johann Sebastian Bach, Jean-Guihen Queyras | G Major | 2 | 9B | 91 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| The 5th Season | Nono | G Major | 3 | 9B | 73 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air ("On a G String") [Transcr. L. Stokowski] | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | D Major | 1 | 10B | 57 BPM | ||
| Underneath the Stars | Herbert Spencer, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | E♭ Major | 1 | 5B | 100 BPM | ||
| Violin Concerto No. 2 in E Minor, Op. 64: I. Allegro molto appassionato - Presto | Felix Mendelssohn, Scottish Chamber Orchestra, Joseph Swensen | E Minor | 1 | 9A | 96 BPM |