"Abschied Vom Walde" by Calmus Ensemble had its release date on January 1, 2003. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Abschied Vom Walde's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 18 in Farb Töne by Calmus Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Abschied Vom Walde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Abschied Vom Walde by Calmus Ensemble is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Irish Blessing | Jubilate-Chor | B♭ Major | 3 | 6B | 88 BPM | ||
| Junga Tåg | Da-8Gsong | A Major | 2 | 11B | 93 BPM | ||
| Kommt, Seelen, Dieser Tag BWV 479 | Calmus Ensemble | F Major | 2 | 7B | 169 BPM | ||
| Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 11, "Nein, es ist nicht auszukommen" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | C Minor | 3 | 5A | 155 BPM | ||
| Laudate, Omnes Gentes | Laudate Mennonite Ensemble | E♭ Major | 1 | 5B | 76 BPM | ||
| The Teaching: Auf meinen lieben Gott (After J.S. Bach's Prelude in F Minor, BWV 857) | Natalya Pasichnyk, Calmus Ensemble | D♭ Minor | 2 | 12A | 164 BPM | ||
| Abendlied | Josef Rheinberger, Regensburger Domspatzen, Roland Büchner | F Major | 1 | 7B | 74 BPM | ||
| Lamento d'Arianna, SV 22: No. 4 Ahi che non pur risponde | Claudio Monteverdi, Calmus Ensemble | A Major | 1 | 11B | 113 BPM | ||
| Book II, No. 20 'Non mi toglia' | Carlo Gesualdo, Capella Vocale Hamburg, Martin Behrmann | F Major | 2 | 7B | 84 BPM | ||
| Morgengesang | Sjaella | F♯ Major | 1 | 2B | 75 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Aus der Traube in die Tonne | Kurt Lissmann, Meistersinger, Die, Klaus Breuninger | B♭ Major | 0 | 6B | 233 BPM | ||
| 6 Lieder und Romanzen Op. 93a: No. 3 O süßer Mai | Johannes Brahms, Calmus Ensemble | C Major | 2 | 8B | 133 BPM | ||
| Magnificat: IV. Quia fecit mihi magna | MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Chór Astrolabium, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | C Minor | 1 | 5A | 120 BPM | ||
| Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
| In Remembrance | Eleanor Daley, Messiah College Concert Choir, Rebecca Thomas, Linda L. Tedford | E Major | 1 | 12B | 77 BPM | ||
| Erlkönig | Calmus Ensemble | B Minor | 2 | 10A | 92 BPM | ||
| Schöne Fremde | Γιάννη Yang | A Major | 5 | 11B | 89 BPM | ||
| Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | ||
| 4 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 0 | 6A | 67 BPM | ||
| Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
| All the way home - Upper Voices | Sarah Quartel, Commotio Chamber Choir, Griselda Sherlaw-Johnson | E Major | 0 | 12B | 85 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| M. Reger: Der Mond ist aufgegangen | Max Reger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | E Minor | 0 | 9A | 68 BPM |