"Concerto for Horn and Orchestra, Op. 58: II. Scherzo, Allegretto" by Ruth Gipps, David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra had its release date on February 1, 2007. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 13 in British Horn Concertos by David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra. Concerto for Horn and Orchestra, Op. 58: II. Scherzo, Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Horn and Orchestra, Op. 58: II. Scherzo, Allegretto by Ruth Gipps, David Pyatt, Nicholas Braithwaite, London Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elegy for English Horn, Harp & String Orchestra | Peter Boyer, Christine Pendrill, Bryn Lewis, London Symphony Orchestra | A Minor | 1 | 8A | 98 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| Symphony No. 1 in F Minor, Op. 22: III. Allegro | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 86 BPM | ||
| Symphony No. 5 in A Minor, Op. 90 "Sinfonia brevis": III. Intermezzo | Erkki Melartin, Turku Philharmonic Orchestra, Ari Rasilainen | E Minor | 2 | 9A | 134 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| 2 Pieces for Small Orchestra, RT VI/19: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Petite Suite: iii. Mazurka | Alexander Borodin, Philharmonia Orchestra, Geoffrey Simon | D♭ Major | 1 | 3B | 117 BPM | ||
| 3 Chorales, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 1 | 5A | 123 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | D Major | 1 | 10B | 85 BPM | ||
| Symphony No. 3, Op. 57: II. Theme and Variations | Ruth Gipps, BBC Philharmonic, Rumon Gamba | G Major | 1 | 9B | 137 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| A Walk To The Paradise Garden | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 103 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
| Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
| Simple Symphony, Op. 4: Sentimental Sarabande | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | G Minor | 0 | 6A | 75 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, John Rutter, Manchester Camerata, David Tollington | G Major | 0 | 9B | 71 BPM |