"Carol Anne's Theme (End Title)" by Jerry Goldsmith had its release date on June 4, 1982. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Poltergeist (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Carol Anne's Theme (End Title) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carol Anne's Theme (End Title) by Jerry Goldsmith having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Final Search | Charles Bernstein | D Major | 3 | 10B | 67 BPM | ||
| Chasing Sidney - From "Scream" | Marco Beltrami | G Major | 4 | 9B | 114 BPM | ||
| Family Theme | Mark Isham | G Minor | 1 | 6A | 78 BPM | ||
| Michelle | Bear McCreary | G Major | 4 | 9B | 74 BPM | ||
| Simon's Secret | Joel P West | C Minor | 0 | 5A | 72 BPM | ||
| Raptus | Mark Snow | E Minor | 3 | 9A | 79 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| The Cabin In The Woods | David Julyan | A♭ Minor | 0 | 1A | 63 BPM | ||
| Margaret Comes Home / The Telephone Call | Pino Donaggio | B♭ Minor | 1 | 3A | 101 BPM | ||
| Main Title from "The Shining" - Variation | Chuck Cirino | A♭ Major | 2 | 4B | 62 BPM | ||
| The Wizard of Oz - Opening Title | The M-G-M Studio Orchestra and Chorus | A Major | 4 | 11B | 119 BPM | ||
| The Ritual of Chüd | Benjamin Wallfisch | D♭ Major | 6 | 3B | 165 BPM | ||
| Crossing the River and Onward | Angela Morley | A♭ Major | 1 | 4B | 81 BPM | ||
| Reunion/Finale - From "The Color Purple" Soundtrack | Quincy Jones | A Major | 1 | 11B | 81 BPM | ||
| Sleep | Benjamin Wallfisch | F Minor | 2 | 4A | 87 BPM | ||
| Swamps Of Sadness | Giorgio Moroder | C Minor | 2 | 5A | 106 BPM | ||
| The Carousel | Jerry Goldsmith | G Minor | 3 | 6A | 88 BPM | ||
| It Was Always You, Helen | Philip Glass, Michael Riesman, The Western Wind | E♭ Major | 2 | 5B | 92 BPM | ||
| Come Home | Benjamin Wallfisch | C Major | 4 | 8B | 83 BPM | ||
| The Meld and a Good Start | Jerry Goldsmith | B♭ Major | 3 | 6B | 72 BPM | ||
| Mural | Randy Newman | C Major | 4 | 8B | 108 BPM | ||
| Main Title | Münchner Symphoniker | F Major | 2 | 7B | 100 BPM | ||
| The Auryn | Klaus Doldinger | F Major | 1 | 7B | 64 BPM | ||
| Psyco - From the Movie Psyco | Blackround Philharmonic Orchestra | F Major | 4 | 7B | 142 BPM |