On January 8, 1999, the song "Bhorhi Ke Baba Kare Vidai - Vidayi Geet" was released by Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra's "Hathi Hathi Shor Kaile" album is number 4 out of 18. On top of that, India appears to be the country where this track was created. In terms of popularity, Bhorhi Ke Baba Kare Vidai - Vidayi Geet is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bhorhi Ke Baba Kare Vidai - Vidayi Geet by Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jio Jio Nama | Bhai Mehtab Singh | D♭ Major | 8 | 3B | 99 BPM | ||
| Kehnde Ne Naina Tere Kol Rehna | Hita Ambrish | D♭ Major | 8 | 3B | 85 BPM | ||
| Bheemsury Kranticha | Anand Shinde | F♯ Minor | 9 | 11A | 104 BPM | ||
| Tumhe Jal Chadaye Sawere Sawere | Bittu maharaj | G Major | 6 | 9B | 130 BPM | ||
| Bipada Bele | Arabinda Muduli | D♭ Minor | 9 | 12A | 79 BPM | ||
| Dher Din Beeti Gayile | Madan Rai | E♭ Major | 6 | 5B | 82 BPM | ||
| Pandharpurat Kaay Vajat | Prahlad Shinde | B♭ Major | 9 | 6B | 96 BPM | ||
| Panihari | Kohinoor Langa | F Major | 8 | 7B | 168 BPM | ||
| Jado Ji Se Manglu Joranva | Guddu Rangila | D♭ Major | 6 | 3B | 110 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Kab Hoye Tor Darshan | Dukalu Yadav | C Major | 10 | 8B | 130 BPM | ||
| Loki Khouray Pee Kay Kiwen | Sardool Sikander | B♭ Major | 5 | 6B | 117 BPM | ||
| Ataichi Ke Chabhi Bhulail | Anuradha Krishan Rastogi, Ranjna Mishra, Priyanka Mishra | E Minor | 6 | 9A | 92 BPM | ||
| Geree Geree Birkha Bhaiya | Prakash Mali | D♭ Major | 6 | 3B | 95 BPM | ||
| Bhaje Mon Aapana Aapani Keho Naai | Pratima Barua (Pande) | E Major | 6 | 12B | 85 BPM | ||
| Log Kehete Hain Ki | Santanu Sahoo | C Minor | 9 | 5A | 91 BPM | ||
| Mare Thakorji Nathi Thavu | Aditya Gadhvi | B♭ Minor | 6 | 3A | 155 BPM | ||
| Dol Dolatay Varyav | Shrikant Narayan, Veena Bamne | F♯ Major | 7 | 2B | 82 BPM | ||
| Ea Bia Paas Padal - Dulha Parichan | Anuradha Krishan Rastogi, Ankita Rastogi, Laxvi Rastogi, Kiran Rastogi, Sunita Rastogi | G Major | 7 | 9B | 105 BPM | ||
| Bhag Ujalale | Anand Shinde | D♭ Major | 5 | 3B | 94 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Raja Piy Jani Gaanja Ho Kharaab Ho Jaibai | Bharat Sharma Vyas | C Minor | 7 | 5A | 146 BPM | ||
| Natavila Sonyane | Milind Shinde | D♭ Major | 5 | 3B | 98 BPM | ||
| He Muralidhar Chhaliya Mohan Ham Bhi Tumko Dil De Baithe | Rj Shivam | F♯ Minor | 3 | 11A | 114 BPM | ||
| Shree Shyam Dhun | Lakhbir Singh Lakkha | C Major | 6 | 8B | 100 BPM |