Paul Leonard-Morgan's ' "Macha" was released on its scheduled release date, February 19, 2020. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Warhammer 40,000: Dawn of War III (Original Soundtrack) by Paul Leonard-Morgan. The song's track number on the album is #6 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Macha's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Macha by Paul Leonard-Morgan has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Macha being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rakkhive Emerges | Raison Varner | D♭ Major | 6 | 3B | 130 BPM | ||
| Escape Artist | Lorne Balfe, Assassin's Creed | D♭ Major | 8 | 3B | 135 BPM | ||
| Rannsaka | Valkyrion | E♭ Major | 6 | 5B | 113 BPM | ||
| Dark Father | Atrium Carceri | G Major | 4 | 9B | 179 BPM | ||
| Four Days to Crows Nest | Breakdown Epiphanies | A Minor | 4 | 8A | 168 BPM | ||
| Realms of Ruin | Epic Foundry | F Major | 8 | 7B | 105 BPM | ||
| The Crypt | Kevin Riepl | C Minor | 2 | 5A | 136 BPM | ||
| Dance of the Cryptek | Guillaume David | F Minor | 10 | 4A | 140 BPM | ||
| The Great Sleep Is Over | Pavel Lipski | D Major | 10 | 10B | 180 BPM | ||
| The Future by its Throat - Part 4 - Secrets of the Earth | The Flight | E Major | 0 | 12B | 132 BPM | ||
| Attack Of The Heretics | Doyle W. Donehoo | D Major | 4 | 10B | 150 BPM | ||
| Clash of Convictions | Nikolay Filipovich | B Minor | 8 | 10A | 100 BPM | ||
| The Mother Serpent | Kevin Riepl | D Minor | 1 | 7A | 139 BPM | ||
| Where Dead Gods Lie | Travis Savoie | D♭ Minor | 2 | 12A | 85 BPM | ||
| The Blood Ravens | Cris Velasco, Sascha Dikiciyan | A Major | 9 | 11B | 96 BPM | ||
| Tabletop Combat | Scorewizard | B♭ Minor | 5 | 3A | 94 BPM | ||
| We Got Beat | Paul Leonard-Morgan | A Minor | 2 | 8A | 165 BPM | ||
| Ashes | Olivier Zuccaro | B Minor | 6 | 10A | 120 BPM | ||
| Through the Hollow Earth | Simon Poole | F Major | 1 | 7B | 64 BPM | ||
| Iceheart | Knut Avenstroup Haugen, The Budapest Scoring Orchestra, Jess Dandy, Tony Hinnigan | E♭ Major | 4 | 5B | 100 BPM | ||
| Duel at Varlock Keep | Paul Leonard-Morgan | C Major | 4 | 8B | 120 BPM | ||
| Storm Category 5 | Keith Power, Digital Extremes Ltd., John Carey | B♭ Minor | 9 | 3A | 135 BPM | ||
| The Underworld | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 87 BPM | ||
| Cold Victory | Paul Leonard-Morgan | A Major | 3 | 11B | 107 BPM | ||
| Zulu-Tango | Audiomachine | A Major | 10 | 11B | 125 BPM |