Franco Corelli, Franco Ferraris, Orchestra's 'Torna' had a release date set for 1996. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 45 in the song's album "Neapolitan Songs, Sacred Songs & Arias". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Torna is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Torna by Franco Corelli, Franco Ferraris, Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
| Macbeth, Act IV: Pietà, rispetto, amore | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | C Minor | 3 | 5A | 129 BPM | ||
| Ave Maria | Franco Corelli | C Minor | 3 | 5A | 129 BPM | ||
| Addà turnà | Luigi Tortorella, Franco Corelli, Franco Ferraris, Franco Ferraris Orchestra | E Minor | 2 | 9A | 115 BPM | ||
| Faust - Version 1860/1869 / Act 5: Alerte alerte! ...Anges purs...Sauvée! | Charles Gounod, Nicolai Ghiaurov, Dame Joan Sutherland, Franco Corelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | G Major | 3 | 9B | 90 BPM | ||
| I Capuleti e i Montecchi / Act 1: Vieni, ah! vieni, e in me riposa - Live | Vincenzo Bellini, Elina Garanca, Anna Netrebko, Wiener Symphoniker, Fabio Luisi | G Major | 5 | 9B | 73 BPM | ||
| La Gioconda / Act 2: Pescator, affonda l'esca | Amilcare Ponchielli, Sherrill Milnes, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Minor | 2 | 5A | 92 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara" | Vincenzo Bellini, Juan Diego Flórez, Nicola Ulivieri, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | C Major | 2 | 8B | 138 BPM | ||
| Gounod: Roméo et Juliette, Act 3: "Le Duc! Le Duc !" (Chœur, Capulet, Roméo, Stéphano, Benvolio, Pâris, Gregorio, Le Duc) | Charles Gounod, Alain Lombard, Christos Grigoriou, Chœur du Théâtre national de l'Opéra de Paris, Claude Cales, Éliane Lublin, Franco Corelli, Maurice Auzeville, Pierre Thau, Yves Bisson, Orchestre du Théâtre National de l'Opéra Paris | C Minor | 3 | 5A | 86 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| La Sonnambula / Act 1: Prendi: l'anel ti dono | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 1 | 4B | 74 BPM | ||
| Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 4: "Nature immense" (Faust) | Hector Berlioz, John Nelson, Michael Spyres, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 72 BPM | ||
| Macbeth, Act IV: Recit. O figli miei – Aria. Ah, la paterna mano | Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | C Minor | 3 | 5A | 129 BPM | ||
| Adriana Levouvreur. Act I: La dolcissima effige | Francesco Cilea, Franco Corelli, Alfredo Simonetto, Orchestra Sinfonica Di Torino Della Rai | A♭ Major | 2 | 4B | 97 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| Don Giovanni, K. 527, Act II: Aria. Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | B♭ Major | 1 | 6B | 100 BPM | ||
| Adriana Lecouvreur: Erster Akt - Io son l'umile | Coro del Teatro San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Magda Olivero, Franco Corelli | C Minor | 3 | 5A | 129 BPM | ||
| Dicitencello Vuje | Franco Corelli | C Minor | 3 | 5A | 129 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| La Traviata: "Libiamo Libiamo" | Enrico Caruso | B♭ Major | 3 | 6B | 103 BPM | ||
| The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Dame Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
| Verdi: Il trovatore, Act 3: "Di quella pira" (Manrico, Ruiz, Leonora, Chorus) | Giuseppe Verdi, Thomas Schippers, Angelo Mercuriali, Franco Corelli, Gabriella Tucci, Orchestra Del Teatro Dell'Opera Di Roma | C Major | 4 | 8B | 59 BPM | ||
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | C Minor | 3 | 5A | 129 BPM | ||
| Giordano: Andrea Chénier, Act 4: "Come un bel dì di maggio" (Andrea) | Umberto Giordano, Gabriele Santini, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B Minor | 2 | 10A | 90 BPM |