Anil Bhanarkar's ' "Kisi Raah Men Kisi Mod Par - Instrumental" was released on its scheduled release date, June 16, 2024. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Kisi Raah Men Kisi Mod Par - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Open Stage Sessions - Vol 22". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Kisi Raah Men Kisi Mod Par - Instrumental's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Kisi Raah Men Kisi Mod Par - Instrumental by Anil Bhanarkar having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sorathi | Krishna Gurung, Jangal Singh, Kharka Bahadur Budha, Akal Birahi | A Major | 3 | 11B | 139 BPM | ||
| Neend Raaton Ki Uda Dete Hai | Osman Mir | G Major | 5 | 9B | 120 BPM | ||
| Devki Nandlala Jail Mai Ho Gayi | Soniya Studio, Roli Raja, Ramrati kushwaha | F Minor | 8 | 4A | 138 BPM | ||
| Shiv Kailash Ke Wasi | Indresh Upadhyay | D Major | 3 | 10B | 171 BPM | ||
| Raag Bhairav (Bhor Bhayi) | GAAYATRI | B♭ Major | 5 | 6B | 84 BPM | ||
| Raaga Charukeshi Alap | Imran Khan | G Major | 2 | 9B | 104 BPM | ||
| Pelo Shyam | Neema Oza, Swara Oza | C Major | 5 | 8B | 136 BPM | ||
| Jai Radha Madhav - Lofi | Arijit Chakraborty | E Minor | 2 | 9A | 170 BPM | ||
| Prabhuji Jeevan Ka Marm Bata Do | Jagjit Singh | C Major | 5 | 8B | 83 BPM | ||
| Chaai Ke Bahane | Abhishek-Ishteyak, Roop Kumar Rathod, Madhushree | D Minor | 6 | 7A | 126 BPM | ||
| Lata Mangeshkar Speaks & The Making Of Tum Paas Aa Rahe Ho | Madan Mohan, Lata Mangeshkar, Jagjit Singh, Javed Akhtar | C Major | 4 | 8B | 90 BPM | ||
| Tabla Solo Part 02 | Umesh Parmar | E Minor | 7 | 9A | 104 BPM | ||
| Ujjayi Pranayam - Raag Shobhavari | Ronu Majumdar | E Major | 2 | 12B | 78 BPM | ||
| Jago Bansiwale Lalana - Ahir Bhairav | Pravin Godkhindi, Shabbir, Arun Sukumar, Madhusudan | E Minor | 6 | 9A | 120 BPM | ||
| Kalyani Raga | V.S.Narasimhan | E Minor | 1 | 9A | 130 BPM | ||
| Raga Bhupali - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | E Minor | 4 | 9A | 97 BPM | ||
| Vishnumaya jag (Abhang) | Nagesh Adgaonkar | D Minor | 4 | 7A | 100 BPM | ||
| Dhani Kadha Gadi | Kalyani Chaudhari | F♯ Major | 7 | 2B | 130 BPM | ||
| Mountain Love Song | Shivkumar Sharma | B Minor | 5 | 10A | 145 BPM | ||
| You're Beautiful - Instrumental | Box of Music | D♭ Minor | 4 | 12A | 150 BPM | ||
| Mohe Preet Ki Reet | Mausqui | A♭ Major | 3 | 4B | 135 BPM | ||
| Peri Merfrosh | Ustad Rahim Bakhsh | D Major | 7 | 10B | 129 BPM | ||
| Kede Katari | Devalben Gadhvi | E♭ Major | 6 | 5B | 168 BPM | ||
| Mor Sang Chalu Ghure Bon | Azad Ansari, Sarita Devi | G Major | 9 | 9B | 80 BPM | ||
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM |