Francisco Guerrero, The Cambridge Singers, John Rutter's 'Ave Maria' had a release date set for October 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Cambridge Singers, John Rutter's "Lighten Our Darkness: Music for the Close of Day" album is number 15 out of 30. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Ave Maria is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ave Maria by Francisco Guerrero, The Cambridge Singers, John Rutter to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 0 | 10B | 84 BPM | ||
| Most Holy mother of God | Ars Poliphonica | B Minor | 0 | 10A | 86 BPM | ||
| Lydian (Arr. R. Smedvig) | Rolf Smedvig, Hildegard von Bingen, Empire Brass | F Major | 0 | 7B | 126 BPM | ||
| Missa pro defunctis a 5 "Requiem": VI. Agnus Dei | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Magi veniunt | Jacob Clemens non Papa, New York Polyphony | A♭ Minor | 1 | 1A | 81 BPM | ||
| Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Credo, JD 17: Credo (da gaudiorum premia), JD 17 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
| Spiritual Studying Calm | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Gregorian Chants | C Major | 2 | 8B | 82 BPM | ||
| Madrigali Erotici E Spirituali: Quel Augellin Che Canta | Consort Of Musicke, Evelyn Tubb, Mary Nichols, Simon Grant, Joseph Cornwell, Emma Kirkby, Claudio Monteverdi, Gabriele Micheli, Andrew King | D Minor | 1 | 7A | 78 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Super flumina Babylonis | Giovanni Pierluigi da Palestrina, London Oratory Schola Cantorum, Charles Cole | B♭ Major | 2 | 6B | 65 BPM | ||
| Dieu, nous Te louons | Chœur Éphata, Rogatien Despaigne | A Minor | 3 | 8A | 99 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Der Schwan | Diederik van der Laag, Sophia Chamber Choir, Oleksii Shamrytskyi | F Minor | 1 | 4A | 73 BPM | ||
| Claritas Luminis Plenissima | Dom Le Feuvre, Enrico De Capitani, Cantori Gregoriani | G Major | 0 | 9B | 72 BPM | ||
| Ave maris stella: V. Monstra te esse matrem | Francisco Guerrero, Núria Rial, Alicia Ramonet, Lluis Vilamajo, Ignasi Jorda | C Minor | 1 | 5A | 94 BPM | ||
| O quam suavis est, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | A♭ Major | 2 | 4B | 140 BPM |