Felix Mendelssohn, ジャン=ジャック・カントロフ, Jacques Rouvier's ' "《無言歌集》より 作品62-6 春の歌" was released on its scheduled release date, 1990. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 《無言歌集》より 作品62-6 春の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 死の舞踏 〜ヴァイオリン・ヴィルトゥオーゾ・コスモス, so we believe that "《無言歌集》より 作品62-6 春の歌" is a single. The popularity of 《無言歌集》より 作品62-6 春の歌 is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 《無言歌集》より 作品62-6 春の歌 by Felix Mendelssohn, ジャン=ジャック・カントロフ, Jacques Rouvier is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 78 BPM | ||
| Piano Sonata No.8 In C Minor, Op.13 -"Pathétique": 3. Rondo (Allegro) | Ludwig van Beethoven, Daniel Barenboim | C Minor | 1 | 5A | 97 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Sarabande und Chaconne aus dem Singspiel Almira von Händel, S. 181: Sarabande | George Frideric Handel, Roberto Cominati | C Minor | 0 | 5A | 66 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
| Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
| Capriccio in F-Sharp Minor, Op. 76, No. 1 | Johannes Brahms, Arcadi Volodos | D♭ Major | 1 | 3B | 69 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
| Lieder ohne Worte II, Op. 30: I. Andante espressivo, MWV U103 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 69 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
| Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
| 6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |