The Rake's Progress, Act I Scene 2: Chorus. How sad a song (Whores, Mother Goose) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 2: Chorus. How sad a song (Whores, Mother Goose)" was released on its scheduled release date, May 26, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 2: Chorus. How sad a song (Whores, Mother Goose) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I Scene 2: Chorus. How sad a song (Whores, Mother Goose) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	97 BPM
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo)	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	A Major	1	11B	84 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Daphnis et Chloé, M. 57, Pt. 1: III. Danse grotesque de Dorcon	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	F Major	1	7B	189 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento	Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein	D Minor	3	7A	113 BPM
La mer, CD 111: II. Jeux de vagues	Claude Debussy, Berliner Philharmoniker, Herbert von Karajan	E Major	2	12B	114 BPM
Symphony No. 1 in D Major, Op. 25: III. Gavotta. Non troppo allegro - 2017 Remastered Version	Sergei Prokofiev, Leonard Bernstein, New York Philharmonic	D Major	1	10B	134 BPM
Symphony No. 1, Op. 9: III. Andante tranquillo	Samuel Barber, Leonard Slatkin, St. Louis Symphony	B♭ Major	3	6B	93 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	1	9A	111 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco)	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	F Minor	4	4A	80 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen	Gustav Mahler, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	72 BPM
Symphony No. 1 in D Minor, Op. 13: II. Allegro animato	Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev	F Major	0	7B	94 BPM
Chamber Symphony No. 5 in A-Flat Major, Op. 118a: II. Allegretto furioso	Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal	D♭ Major	0	3B	78 BPM
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses	Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez	B Major	0	1B	142 BPM
Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	F♯ Major	2	2B	73 BPM
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	E Major	1	12B	85 BPM
The Planets Suite, Op. 32: VII. Neptune	Gustav Holst, Vladimir Jurowski, Neville Creed, London Philharmonic Choir, London Philharmonic Orchestra	E Major	0	12B	95 BPM
Verklärte Nacht, Op. 4 (Version for String Orchestra): I. Grave	Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan	G Minor	1	6A	89 BPM
Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	D♭ Major	2	3B	142 BPM
Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch	Paul Hindemith, Leonard Bernstein, New York Philharmonic	B♭ Major	3	6B	77 BPM
Aladdin Suite, Op. 34, FS 89: I. The Festival March	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	A♭ Major	0	4B	132 BPM
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio	Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein	D Minor	4	7A	89 BPM