On March 25, 2000, the song "Penh Rang Birang Ke Sari" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tara Rani's "Khajhadha Ha" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Penh Rang Birang Ke Sari's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Penh Rang Birang Ke Sari by Tara Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aseen Hasna Bhul Gaye | Davinder Kohinoor | D♭ Major | 6 | 3B | 113 BPM | ||
| O Lo Nonodi | Nargis | G Minor | 5 | 6A | 88 BPM | ||
| Poliyopoli (From “Pallavur Devanarayanan”) | Gireesh Puthenchery, Raveendran, Mammootty | F♯ Major | 6 | 2B | 100 BPM | ||
| Na Kar Bhulia Meri Meri | Sain Zahoor Ahmed | F Minor | 10 | 4A | 176 BPM | ||
| Shyam Khatu Wale Kripa Kar De | Nandu Ji | F♯ Major | 7 | 2B | 168 BPM | ||
| Jhala Anand Khara | Prahlad Shinde | A♭ Major | 7 | 4B | 113 BPM | ||
| Nimani Nu Narka | Durga Rangila, Kuldeep Manak | D♭ Major | 8 | 3B | 158 BPM | ||
| Ek Aankh Marab Hole | Pawan, Pankaj | G Major | 4 | 9B | 185 BPM | ||
| Laikan Ke Door Door | Tara Rani | E♭ Major | 10 | 5B | 169 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Hum To Chuppe Kaini | Tara Rani | A♭ Major | 10 | 4B | 174 BPM | ||
| Sharan Shyam Ki Le Le | Nandu Ji | A♭ Major | 8 | 4B | 166 BPM | ||
| Sammi Meri Waar | Hans Raj Hans | B Major | 5 | 1B | 110 BPM | ||
| Natavila Sonyane | Milind Shinde | D♭ Major | 5 | 3B | 98 BPM | ||
| Beqadran Lokan Wich | Gurdas Maan | D♭ Minor | 7 | 12A | 144 BPM | ||
| Aaj Raat Balam Saathe | Tara Rani, Kavita Rani | A♭ Major | 10 | 4B | 174 BPM | ||
| Paunahari Tere Darshan Jo | Pola Ram Dhangwal, Anuradha Paudwal, Anjali, Urmila | G Major | 4 | 9B | 69 BPM | ||
| Hal Ta Kehn Maqade Me Halon | Rajab Faqeer | E♭ Major | 7 | 5B | 158 BPM | ||
| U.P.Bihar Ke | Tara Rani | F Minor | 7 | 4A | 130 BPM | ||
| Aa Re Kalia | Sonu Nigam | F♯ Major | 6 | 2B | 120 BPM | ||
| Karuya Udho Udho Ambabaicha | Suresh Wadkar, Prahlad Shinde, Anupama, Ravindra Sathe, Ranjana Joglekar, Suryakant Shinde, Jyotsna Ganpule, Suchitra Bhagwat | C Minor | 5 | 5A | 160 BPM | ||
| Aankhen Hi Na Royee | Altaf Raja | F♯ Major | 5 | 2B | 140 BPM | ||
| Badka Saragbhoji Ha | Tara Rani | B♭ Minor | 5 | 3A | 87 BPM | ||
| Ja Rahi Hai Mohabbat Ki Maiyat | Shahid Ali Khan | A♭ Major | 8 | 4B | 155 BPM | ||
| Sodun De Daruchi Vait Chal | Vijay Sartape | A♭ Major | 8 | 4B | 173 BPM |