Steve Rouse, Indiana University New Music Ensemble, David Dzubay's ' "Form Fades: I. Ritual Fills" was released on its scheduled release date, September 8, 2017. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Steve Rouse: Morphic Resonance". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Form Fades: I. Ritual Fills is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Form Fades: I. Ritual Fills by Steve Rouse, Indiana University New Music Ensemble, David Dzubay having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nightsongs | Richard Peaslee, Joseph Foley, Bonnie Anderson | G Minor | 1 | 6A | 104 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| V. Lord Melbourne | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 2 | 6B | 130 BPM | ||
| Danzón | Johanny Navarro, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Concerto for Double Bass 2nd Movement (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E Minor | 1 | 9A | 123 BPM | ||
| Vaughan Williams: Job, a Masque for Dancing, Scene 1: Introduction | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 71 BPM | ||
| Violin Sonata: II. — | Steve Rouse, Benjamin Sung, Jihye Chang | E Minor | 3 | 9A | 95 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Andante et allegretto | Guillaume Balay, Ryan Gardner, Charity Wicks | E Major | 1 | 12B | 102 BPM | ||
| Trombone Concerto: III. Finale. Maestoso - Rondo (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | E Minor | 1 | 9A | 123 BPM | ||
| Prelude to Act III from “Lohengrin" (Arr. by Kouichi Ohashi for Horn) | WORLD HORN SUMMIT | E Minor | 1 | 9A | 123 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Ballard Justice | Valen Rosset | E Minor | 1 | 9A | 123 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Hungarian Sketches, Sz. 97: IV. Slightly Tipsy | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 55 BPM | ||
| A Songe Called Trumpetts | Robert Parsons, The Royal Wind Music, Paul Leenhouts | F♯ Major | 0 | 2B | 142 BPM | ||
| Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato | Gabriel Pierné, Lavinia Meijer | A♭ Major | 1 | 4B | 75 BPM | ||
| Horn Sonatina: I. Allegro moderato | Jaroslav Kofroň, Steven Gross, Pascal Salomon | D♭ Major | 0 | 3B | 67 BPM | ||
| Scherzo | John Cheetham, Quintetto Inflagranti | F Major | 0 | 7B | 151 BPM | ||
| 33 Portraits, Op. 101: No. 5, Ein Siegesgesang Israels "Praise the Lord with Drums and Cymbals" (Alla Handel) [Arr. T. Brantigan] | Sigfrid Karg-Elert, Paul Riedo, Dallas Wind Symphony, Frederick Fennell | C Major | 1 | 8B | 86 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM |