"チャイコフスキー:交響曲第3番 二長調 作品29「ポーランド」;第1楽章 序奏とアレグロ・モデラート・アッサイ-アレグロ・ブリランテ" by ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ had its release date on February 16, 2022. This song appears to be safe for all ages as it is not explicit. There is only one song in チャイコフスキー:交響曲第3番 二長調 作品29「ポーランド」, so we believe that "チャイコフスキー:交響曲第3番 二長調 作品29「ポーランド」;第1楽章 序奏とアレグロ・モデラート・アッサイ-アレグロ・ブリランテ" is a single. チャイコフスキー:交響曲第3番 二長調 作品29「ポーランド」;第1楽章 序奏とアレグロ・モデラート・アッサイ-アレグロ・ブリランテ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チャイコフスキー:交響曲第3番 二長調 作品29「ポーランド」;第1楽章 序奏とアレグロ・モデラート・アッサイ-アレグロ・ブリランテ by ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
| 交響曲第6番 ロ短調 作品74≪悲愴≫ - 第2楽章 Allegro con grazia | Pyotr Ilyich Tchaikovsky, フェドセーエフ指揮, The Tchaikovsky Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
| Schubert: Symphony No. 1 in D Major, D. 82: II. Andante | Franz Schubert, Herbert von Karajan, Berliner Philharmoniker | B♭ Major | 2 | 6B | 116 BPM | ||
| Petrouchka: Le tour de passe-passe / Danse russe | Ferenc Fricsay, Berliner Philharmoniker | C Major | 5 | 8B | 114 BPM | ||
| 「マドンナの宝石」 間奏曲 第1番 | エルマンノ・ヴォルフ・フェラーリ, 岩城宏之, NHK交響楽団 | F Major | 1 | 7B | 126 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam | Robert Schumann, Nikolaus Harnoncourt, Berliner Philharmoniker | A Minor | 0 | 8A | 89 BPM | ||
| VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 3 | 5A | 147 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance - Maggiore. Sancho Panza | Richard Strauss, Mstislav Rostropovich, Ulrich Koch, Herbert von Karajan, Berliner Philharmoniker | A Major | 6 | 11B | 113 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 2 | 11B | 75 BPM | ||
| チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第2楽章「陰気な土地、霧の土地」アダージョ・カンタビーレ・マ・ノン・タント | エフゲニ・スヴェトラーノフ, ソビエト国立交響楽団 | F Minor | 0 | 4A | 68 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" | Georges Bizet, Scottish National Orchestra, Alexander Gibson | B♭ Major | 2 | 6B | 116 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Herbert von Karajan, Berliner Philharmoniker | C Minor | 1 | 5A | 135 BPM | ||
| Sibelius: Symphony No. 6 in D Minor, Op. 104: II. Allegretto moderato | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | B♭ Major | 2 | 6B | 116 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: V. Romeo and Juliet Before Parting | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Major | 0 | 8B | 71 BPM | ||
| パガニーニの主題による狂詩曲 第14変奏 | Sergei Rachmaninoff, Kyohei Sorita, Andrea Battistoni, Tokyo Philharmonic Orchestra | F Major | 3 | 7B | 76 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: VIII. Auf blumigen Wiesen | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | A Minor | 1 | 8A | 78 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: I. Poco adagio - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | B♭ Minor | 0 | 3A | 62 BPM | ||
| Allegro fantastique, Anh. 26b | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | C Minor | 3 | 5A | 171 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Vision - | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Wagner: Der fliegende Holländer, WWV 63, Act 2 Scene 1: Introduktion | Richard Wagner, Theo Adam, Otto Klemperer, New Philharmonia Orchestra | F Major | 2 | 7B | 168 BPM | ||
| Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | B♭ Major | 2 | 6B | 125 BPM |