Christopher Young's ' "He Must Be a Sadist" was released on its scheduled release date, October 25, 2011. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Rum Diary (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, He Must Be a Sadist is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With He Must Be a Sadist by Christopher Young having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BIOHAZARD | Noah Ashwood | D♭ Major | 3 | 3B | 170 BPM | ||
| Sonovabitch | Mark Korven | E Major | 0 | 12B | 111 BPM | ||
| Sidney's Lament - From "Scream" | Marco Beltrami | C Major | 2 | 8B | 37 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| Stronger | Mark Braids, Mark Buho | F♯ Major | 0 | 2B | 74 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| Trinity Definitely | Don Davis | B♭ Minor | 1 | 3A | 69 BPM | ||
| Realizada | Andy Maranell, Andy Mardan | E♭ Minor | 1 | 2A | 64 BPM | ||
| Drift | Arcadia | B Minor | 2 | 10A | 180 BPM | ||
| Something to Think About | Christopher Young | D Major | 1 | 10B | 62 BPM | ||
| Main Theme (from Weapons) | Ryan Holladay, Hays Holladay, Zach Cregger | D Major | 2 | 10B | 60 BPM | ||
| Holy Water (Main Title #1) | Harry Sukman | A Minor | 3 | 8A | 120 BPM | ||
| Entering Nostromo | Benjamin Wallfisch | B Minor | 3 | 10A | 85 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Face Off | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| The Apple | Christopher Young | D♭ Major | 1 | 3B | 168 BPM | ||
| A Quick Death | Christopher Young | D♭ Minor | 3 | 12A | 153 BPM | ||
| Enter the Clown | Richard Bellis | D Major | 1 | 10B | 85 BPM | ||
| Brother's Tale | James Barth | A Major | 1 | 11B | 70 BPM | ||
| Timecrash | Éric Serra | F Major | 6 | 7B | 66 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Main Title | Joe Kraemer | D♭ Major | 1 | 3B | 83 BPM | ||
| Abyme | Uviris | G Major | 3 | 9B | 112 BPM |