"dlp 2.1.1" by William Basinski had its release date on April 16, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Disintegration Loops (Remastered)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. dlp 2.1.1 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With dlp 2.1.1 by William Basinski having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| dlp 2.1.1 | William Basinski | A♭ Major | 3 | 4B | 67 BPM | ||
| Looming Brittle | Taylor Deupree | F♯ Major | 3 | 2B | 86 BPM | ||
| Inori - William Basinski Rework | Hatis Noit, William Basinski | B Minor | 2 | 10A | 76 BPM | ||
| Use Your Hands | Fia Fiell | A♭ Major | 2 | 4B | 70 BPM | ||
| Everything Turns Black to Blue | Slow Attack Ensemble | A Major | 1 | 11B | 74 BPM | ||
| Embera | Celer, Forest Management | F Major | 2 | 7B | 175 BPM | ||
| Ultramarine | Loscil, Lawrence English | B Minor | 0 | 10A | 126 BPM | ||
| Yanagiwara | Hirotaka Shirotsubaki | F♯ Major | 1 | 2B | 75 BPM | ||
| Dock | Emily A. Sprague | A♭ Minor | 3 | 1A | 123 BPM | ||
| nofour | Autechre | B Major | 1 | 1B | 113 BPM | ||
| 25°C | Whatever The Weather | B Major | 8 | 1B | 120 BPM | ||
| Displacement | Rafael Anton Irisarri | E♭ Major | 0 | 5B | 87 BPM | ||
| The Sudden Rush | Biosphere | B Major | 2 | 1B | 70 BPM | ||
| Time forest | Hiroshi Yoshimura | D Minor | 1 | 7A | 76 BPM | ||
| I'm Transmitting Tonight | Tim Hecker | C Minor | 4 | 5A | 130 BPM | ||
| Con | Imagine Drowning | D♭ Major | 0 | 3B | 118 BPM | ||
| Late Night Drive | Laurel Halo, Lucy Railton, James Underwood | B Major | 4 | 1B | 81 BPM | ||
| Vagues | Benoît Pioulard | F♯ Minor | 1 | 11A | 51 BPM | ||
| 86ºs 115ºw | Sleep Research Facility | D Major | 2 | 10B | 82 BPM | ||
| Everyone I've Ever Loved Lives Here Together | Dylan Henner | D♭ Major | 2 | 3B | 97 BPM | ||
| Under a Glass Bell | Patricia Wolf | G Minor | 1 | 6A | 81 BPM | ||
| Behind the Bank | Oneohtrix Point Never | E Major | 3 | 12B | 69 BPM | ||
| Bronze Lamp | Imaginary Softwoods | G Minor | 3 | 6A | 77 BPM | ||
| All Equal Now | Belong | D Major | 3 | 10B | 93 BPM | ||
| Goniorizon | Fennesz | F♯ Minor | 3 | 11A | 123 BPM |