"Prelude In G Minor, Op.23/5" by Czech Philharmonic Orchestra had its release date on April 1, 2010. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 World Classical Masterpieces, so we believe that "Prelude In G Minor, Op.23/5" is a single. In terms of popularity, Prelude In G Minor, Op.23/5 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude In G Minor, Op.23/5 by Czech Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viola Concerto, Sz. 120: II. Adagio religioso | Béla Bartók, Czech Philharmonic, Karel Ančerl, Jaroslav Karlovský | E Major | 0 | 12B | 67 BPM | ||
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | ||
| Má Vlast, JB1:112: 3. Sarka | Bedřich Smetana, Czech Philharmonic, Jiří Bělohlávek | A Major | 1 | 11B | 100 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| Symphony No. 2 in G Major, Op. 26: III. Molto vivace | Jan Hanuš, Czech Philharmonic, Karel Ančerl | G Major | 3 | 9B | 63 BPM | ||
| Symphony No. 1 in G Minor: I. Allegro moderato | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | G Minor | 1 | 6A | 81 BPM | ||
| Symphony No. 2: II. Scherzo. Vivace | Pavel Bořkovec, Czech Philharmonic, Karel Ančerl | D♭ Minor | 3 | 12A | 95 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim | E♭ Major | 0 | 5B | 56 BPM | ||
| L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 85 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
| Romeo and Juliet, Op. 64: The Masques | Sergei Prokofiev, Czech Philharmonic, Karel Ančerl | C Minor | 1 | 5A | 86 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Pictures at an Exhibition: The Great Gate of Kiev | Modest Mussorgsky, Czech Philharmonic, Karel Ančerl | B Major | 3 | 1B | 98 BPM | ||
| Song Of The Angel - Quietly Ecstatic - Calm, Pure And Free | Edna Michell, Czech Philharmonic Orchestra | F Major | 1 | 7B | 92 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | ||
| Concerto for Piano and Orchestra No. 3 (1958) in G Major: I. Allegro | Ivan Jirko, Czech Philharmonic, Karel Ančerl, Viktorie Svihlikova | A Minor | 3 | 8A | 86 BPM | ||
| Le Sacre du Printemps: Games of the Tival Tribes | Igor Stravinsky, Czech Philharmonic, Karel Ančerl | C Minor | 1 | 5A | 98 BPM | ||
| Tzigane | Maurice Ravel, Czech Philharmonic, Karel Ančerl, Ida Haendel | F♯ Major | 0 | 2B | 111 BPM | ||
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM |