"Nevolution: I. Echo Migration" by Steve Rouse, Michael Tunnell, Meme Tunnell had its release date on September 8, 2017. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Steve Rouse: Morphic Resonance". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Nevolution: I. Echo Migration's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nevolution: I. Echo Migration by Steve Rouse, Michael Tunnell, Meme Tunnell having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | E♭ Major | 1 | 5B | 89 BPM | ||
| Romances, Op. 94: I. Nicht Schnell | James Markey | A Minor | 0 | 8A | 66 BPM | ||
| Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Cello Sonata: III. — | Steve Rouse, Paul York, Michael Gurt | D♭ Major | 2 | 3B | 178 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
| Le sacre du printemps / Pt. 2: Le sacrifice: X. Cercles mysteriéux des adolescentes | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 1 | 4A | 84 BPM | ||
| Clarinet Concerto: II. Rather fast - Coda (Final Version) | Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti | C Major | 2 | 8B | 108 BPM | ||
| Clarinet Concerto in C Minor, Op. 31: I. Allegro vigoroso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 79 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | ||
| Quatuor pour hautbois, violon, violoncelle et piano, H.315: I. Moderato poco Allegro | Bohuslav Martinů, Philippe Tondre, Danae Dörken, Sarah Christian, Maximilian Hornung | E♭ Major | 1 | 5B | 89 BPM | ||
| I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Diamonds | Steve Rouse, Benjamin Sung | D Major | 2 | 10B | 85 BPM | ||
| Wine-Dark Sea: II. Immortal Thread, So Weak | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| Solace (A Lyric Concerto): I. Joy | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | E♭ Major | 2 | 5B | 132 BPM | ||
| Galactic Pulse | Kira Nebula | E Major | 1 | 12B | 167 BPM | ||
| Hungarian Sketches, Sz. 97: IV. Slightly Tipsy | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 55 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM | ||
| Bartók: Suite from the Miraculous Mandarin, Op. 19b, Sz. 73: IV. Second Seduction Game | Béla Bartók, Hugh Wolff, Philharmonia Orchestra | C Major | 1 | 8B | 175 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Sinnets illustration | Klas Granqvist | E♭ Major | 1 | 5B | 89 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): III. Allegretto | Dmitri Shostakovich, Ensemble Ouranos | E♭ Major | 1 | 5B | 89 BPM | ||
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | E♭ Major | 1 | 5B | 130 BPM | ||
| Ten Little Things: II. The Nature | Steve Rouse, Matthew Nelson, Greg Byrne | G Minor | 1 | 6A | 72 BPM |