"玫瑰三愿" by 黄自, 游弋二重奏, 亚历山大·苏莱曼, 仲一 had its release date on September 8, 2022. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. 玫瑰三愿's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 中国印象, so we believe that "玫瑰三愿" is a single. 玫瑰三愿 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 玫瑰三愿 by 黄自, 游弋二重奏, 亚历山大·苏莱曼, 仲一 is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 彩虹 | 上海彩虹室内合唱团 | C Major | 1 | 8B | 129 BPM | ||
| Borodin: The Sleeping Princess | Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich | A Major | 0 | 11B | 66 BPM | ||
| Donizetti: Il fiore “Qui dove mercè negasti all’amor” | Gaetano Donizetti, Sarah Dufresne, Carlo Rizzi | F Major | 1 | 7B | 179 BPM | ||
| 12 Romances, Op. 21: VII. How Fair this Spot | Sergei Rachmaninoff, Asmik Grigorian, Lukas Geniušas | F Minor | 1 | 4A | 73 BPM | ||
| Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | ||
| Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Edoardo Muller | E Major | 1 | 12B | 131 BPM | ||
| Le nozze di Figaro, K. 492 / Act 4: "Giunse alfin il momento... Deh, vieni, non tardar" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
| Manon Lescaut / Act 4: Sola, perduta, abbandonata | Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 86 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
| Requiem: VII. Lacrymosa - Live Recording | Franz von Suppé, Franziska Gottwald, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 0 | 7A | 171 BPM | ||
| Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
| 二部创意曲 其一 | 黄自, 王哲欧 | F♯ Major | 1 | 2B | 67 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| Alma del core | Antonio Caldara, Sua Jo, The Czech Symphony Orchestra | D Major | 3 | 10B | 109 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| Hahn: À Chloris | Reynaldo Hahn, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
| The Merry Widow / Act 2: Duet: Love unspoken, love unbroken | Franz Lehár, Werner Krenn, Dame Joan Sutherland, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 86 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im, Marie-Claude Chappuis | A Major | 1 | 11B | 97 BPM | ||
| Rinaldo, HWV 7b: "Lascia ch'io pianga" | George Frideric Handel, Cai Thomas, The Bourne Ensemble, Robert Lewis | F Major | 1 | 7B | 115 BPM | ||
| Si Xiang | 黄自, Liping Zhang, Jialin Zhang | E♭ Major | 1 | 5B | 64 BPM |