"End Credits" by Danny Elfman had its release date on July 30, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 27 out of 27 in Dracula (Original Motion Picture Score) by Danny Elfman. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, End Credits's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of End Credits by Danny Elfman is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Partnership | Sarah Schachner | D Major | 2 | 10B | 119 BPM | ||
| For A Young Violinist Again | Daniel Hart | F Minor | 3 | 4A | 66 BPM | ||
| Sarah's Theme | John Debney | A♭ Minor | 1 | 1A | 125 BPM | ||
| How Deep This Goes (Variations on Behind The Wheel) | Lorne Balfe, Peter Adams | G Minor | 1 | 6A | 87 BPM | ||
| Left Utterly Alone | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Monster | Mac Quayle | D Major | 2 | 10B | 86 BPM | ||
| Brave Girl | Sarah Schachner | F Minor | 6 | 4A | 106 BPM | ||
| It's Her | Danny Elfman | C Minor | 2 | 5A | 145 BPM | ||
| No One Dances At Parties | Nathan Barr | E Major | 3 | 12B | 130 BPM | ||
| Mountain | Khethiwe | D Minor | 7 | 7A | 95 BPM | ||
| La Prophétie - Bande originale du film "Kaamelott - Deuxième Volet [Partie 1]" | Alexandre Astier | E Minor | 0 | 9A | 165 BPM | ||
| Strategy and Planning | Danny Elfman | D Major | 4 | 10B | 88 BPM | ||
| Depart | Joseph Trapanese, Jason Lazarus | G Major | 2 | 9B | 106 BPM | ||
| Legacy of the God-Warriors | League of Legends | G Minor | 4 | 6A | 115 BPM | ||
| Needfire | Bear McCreary | D Minor | 1 | 7A | 64 BPM | ||
| Not Even in My Dreams | David Buckley | F Minor | 4 | 4A | 74 BPM | ||
| The Senzoku Ippa | The Flight, Assassin's Creed | A Major | 5 | 11B | 89 BPM | ||
| A Swan Song (For Nina) | Clint Mansell | E Minor | 0 | 9A | 137 BPM | ||
| The Mask of Zorro (Suite) | City Light Symphony Orchestra | D Major | 4 | 10B | 88 BPM | ||
| Something is Shifting | Joseph Trapanese, Max Davidoff-Grey, Jason Lazarus | G Major | 1 | 9B | 95 BPM | ||
| Now We Are Free (From "Gladiator") - Church Organ Version | Hans Zimmer, Klaus Badelt, Lisa Gerrard, Aureon Vale, Sacred Mystery | D Major | 4 | 10B | 88 BPM | ||
| This Land (From "The Lion King") - Church Organ Version | Hans Zimmer, Lebo M., Aureon Vale, Sacred Mystery | D Major | 4 | 10B | 88 BPM | ||
| Polyphemus and the Golden Fleece | Bear McCreary, Sparks & Shadows | F Minor | 6 | 4A | 150 BPM | ||
| The Alpha | Sarah Schachner | D Major | 1 | 10B | 138 BPM | ||
| Charlie | Daniel Hart | C Major | 0 | 8B | 91 BPM |