Bipin Sathiya, Rekha Rathod's ' "Kunta Abhimanyu Ne Bandhe" was released on its scheduled release date, March 17, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Chelaiyanu Halaradu (Best Collection of Various Bhajan) by Bipin Sathiya, Rekha Rathod. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kunta Abhimanyu Ne Bandhe's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Kunta Abhimanyu Ne Bandhe by Bipin Sathiya, Rekha Rathod is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naman Hu Karu | Shree Swaminarayan Mandir Kalupur | B Major | 3 | 1B | 110 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Kyathi Lavya Re | Bipin Sathiya, Jayshreeben Bhojaviya | G Minor | 8 | 6A | 188 BPM | ||
| Naagar Nandajinaa Laal | Traditional, Ashit Desai | F Major | 5 | 7B | 83 BPM | ||
| Zanda Uncha Rahe Hamara | Satish Dehra, Foram Maheta | D Major | 9 | 10B | 120 BPM | ||
| Mud Ma Biraje Havay Mahamai | Dukalu Yadav | F♯ Major | 9 | 2B | 85 BPM | ||
| Tu Rangai Jane Bholanath Na Rang Ma | Arvind Barot, Bhavna Rana | F♯ Major | 6 | 2B | 101 BPM | ||
| Nagar Me Jogi Aaya - Version 1 | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | E Major | 6 | 12B | 92 BPM | ||
| Jagati Jag Ma Jagdamba | Achal Mehta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Hari Bol Hari Bol Hari Hari | Bipin Sathiya, Meena Patel | D Major | 8 | 10B | 148 BPM | ||
| Darshan Diya Maa Durga Bhawani | Dilip Dharbhangiya | B Major | 8 | 1B | 142 BPM | ||
| Hamaro Man Moh Liyo | Shahnaz Akhtar | A♭ Major | 8 | 4B | 102 BPM | ||
| Krushna Bhagwan Halya | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | E Major | 6 | 12B | 92 BPM | ||
| LAD LADAVO LALANE | Nidhi Dholkia | A♭ Major | 7 | 4B | 140 BPM | ||
| Jay Ho Jogi Jalaram | Bipin Sathiya, Damyanti Bardai | D♭ Major | 6 | 3B | 118 BPM | ||
| Rangila Shreenathji | Master Rana | C Minor | 6 | 5A | 110 BPM | ||
| PARNIYU BANDHAY MA JASODAJI | Nidhi Dholkiya | F Minor | 9 | 4A | 91 BPM | ||
| Jalaram Mandir Ma Aarti Thave | Meena Patel, Bipin Sathiya | A Minor | 8 | 8A | 173 BPM | ||
| Sachu Bolone Mara Shyam | Lalita Ghodadra | F Major | 7 | 7B | 107 BPM | ||
| Mane Tara Vina Mann Naa Laage | Rajdeep Barot, Vanita Barot | F Major | 7 | 7B | 126 BPM | ||
| Momai Maa Ni Aarti | Arvind Barot, Bhavna Rana | F♯ Major | 9 | 2B | 98 BPM | ||
| Sarangpur Na Dev Enu Kashtbhanjan Che Naam | Lalita Ghodadra, Arvind Barot | A♭ Major | 6 | 4B | 173 BPM | ||
| Bhitar No Bheru Maro Aatmo Khovano | Mathurbhai Kanjariya | B Minor | 5 | 10A | 94 BPM | ||
| MUKTI MADE KE NA MALE | NITIN DEVKA-NIDHO DHOLKIA | G Major | 5 | 9B | 126 BPM | ||
| Khodal Ma Nu Tabariyu | Farida Mir, Bipin Sathiya | C Major | 9 | 8B | 132 BPM |