- BPM
- 175
- Key
- E♭ Major
- Camelot
- 5B
Book of Hours: None (Mid-afternooon) by Ned Rorem, The Fibonacci Sequence Song Details
"Book of Hours: None (Mid-afternooon)" by Ned Rorem, The Fibonacci Sequence had its release date on February 23, 2003. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Rorem: End of Summer / Book of Hours / Bright Music". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. The popularity of Book of Hours: None (Mid-afternooon) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Book of Hours: None (Mid-afternooon) by Ned Rorem, The Fibonacci Sequence having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.585 dB
- Acousticness
- 97%
- Danceability
- 22%
- Energy
- 11%
- Instrumentalness
- 67%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | D Minor | 2 | 7A | 73 BPM | |
 | Préludes: I. La colombe | Olivier Messiaen, Jan Lisiecki | E Major | 0 | 12B | 68 BPM | |
 | Cats on the piano | Aurelio Scotto, ReWind Ensemble | C Major | 1 | 8B | 120 BPM | |
 | Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | |
 | 5 Morceaux de fantaisie, Op. 3: No. 2, Prélude | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | B Major | 0 | 1B | 71 BPM | |
 | Quartet in G Minor, FWV N:g2: III. Largo | Johann Friedrich Fasch, Ensemble Marsyas, Peter Whelan | D♭ Minor | 3 | 12A | 102 BPM | |
 | Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | |
 | The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Ryan McAdams, Niamh O'Sullivan | A Major | 1 | 11B | 118 BPM | |
 | Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | |
 | Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | |
 | Roussel: 2 Poèmes chinois, Op. 12: No. 1, Ode à un jeune gentilhomme | Albert Roussel, Mady Mesplé, Dalton Baldwin | A Major | 1 | 11B | 140 BPM | |
 | Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | |
 | Mai, Op. 1 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | |
 | The Lordly Hudson (Paul Goodman) | Ned Rorem, Nathan Gunn, Kevin Murphy | A♭ Major | 1 | 4B | 75 BPM | |
 | Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | |
 | Mountain Song for Oboe and Piano | Ned Rorem, Katherine Needleman, Natalie Zhu | F Minor | 1 | 4A | 94 BPM | |
 | Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | |
 | Rorem : Santa Fe Songs : II Opus 101 | Ned Rorem, Susan Graham, Ensemble Oriol | C Major | 0 | 8B | 163 BPM | |
 | Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | |
 | Our Town, Act I: "It's Evening Now in Grover's Corners" | Ned Rorem, Matthew DiBattista, Stanley Wilson, Glorivy Arroyo, Krista River, Brendan Buckley, Margot Rood, Donald Wilkinson, Gil Rose | G Minor | 2 | 6A | 89 BPM | |
 | Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | |
 | Early In the Morning | Ned Rorem, William Schimmel, Dwayne Burno, Ron Jackson, Lisa Kirchner, Joel Fan, Willie Jones III | A♭ Major | 3 | 4B | 116 BPM | |
 | Concerto for English Horn and Orchestra: III. Recurring Dream | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 0 | 9B | 81 BPM | |
 | Catullus: On the Burial of his Brother | Ned Rorem, The Prince Consort | F Major | 0 | 7B | 125 BPM | |
 | Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM |
- ISRC
- HKI190222209
- Label
- L-M Records/RCA Records