Chembai's ' "Manavyalakinchara" was released on its scheduled release date, February 28, 1988. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Gems From The Carnatic Classicals Vol 1" album is number 8 out of 11. On top of that, India appears to be the country where this track was created. The popularity of Manavyalakinchara is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Manavyalakinchara by Chembai to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tera Teeyaga Raada | N. Surya Prakash, Priya Sisters | A♭ Major | 7 | 4B | 159 BPM | ||
| Piriki Hodibeda | Basamma Hiremath | F♯ Major | 7 | 2B | 136 BPM | ||
| Adhiyum | Bhavadhaarini Anantaraman | G Major | 6 | 9B | 170 BPM | ||
| Nambide Ninnapadava | Roopa Shree H S | A♭ Major | 3 | 4B | 165 BPM | ||
| Thiruparankundram | Pithukuli Murugadas | C Minor | 5 | 5A | 150 BPM | ||
| Bantureethi Kolu | Chembai | F♯ Major | 4 | 2B | 88 BPM | ||
| Kaligenidhe Naaku | Priya Sisters | A♭ Minor | 4 | 1A | 95 BPM | ||
| RAGHAVENDRA | P. Susheela | E Major | 5 | 12B | 133 BPM | ||
| Swamy Naamava Smariso | Puttur Narasimha Nayak | A Major | 6 | 11B | 91 BPM | ||
| Vak Rathundaya | V. Ramakrishna, S. P. Sailaja | A♭ Major | 4 | 4B | 75 BPM | ||
| Mero Pauma | Gopal Yonjan, Meera Rana | D Minor | 7 | 7A | 125 BPM | ||
| Ganapathy Thuthi | Magantharen Balakisten | G Major | 6 | 9B | 138 BPM | ||
| Ashtalakshmi Kavacham | Ramana, Vijayalakshmi Sarma | D Major | 4 | 10B | 122 BPM | ||
| Jagododhara | Purandara Daasaru | E Major | 4 | 12B | 79 BPM | ||
| Thimitha Udhavi Anaya | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Sangeetha Sahitya Samalochani | B.K. Sumitra | F♯ Minor | 6 | 11A | 176 BPM | ||
| Jagadhodhaarana - Nadhaswaram | Jayashankar, Valayappatti A. R. Subramaniam | E♭ Major | 6 | 5B | 103 BPM | ||
| Yamunaa Aatrin | Vani Jairam | D♭ Minor | 5 | 12A | 96 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Rakshamaam | Chembai | G Major | 8 | 9B | 128 BPM | ||
| Tholelumbu | V2S2 | A♭ Major | 5 | 4B | 110 BPM | ||
| Manasa Sancharare - Sowmya | S. Sowmya | G Major | 9 | 9B | 170 BPM | ||
| Karthikeya Kaliyuga Varada - Adi | Udaiyalur Kalyanaraman | E Minor | 6 | 9A | 122 BPM | ||
| Omkaara Roopa (From "Abhishekam") | Parupalli Ranganath | F♯ Major | 6 | 2B | 125 BPM | ||
| Endigaadaru | Sri Vidyabhushana | G Major | 3 | 9B | 183 BPM |