Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor by Robert Schumann, Anne Gastinel Song Details

Robert Schumann, Anne Gastinel's 'Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor' had a release date set for October 23, 2001. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Schumann: Cello Concerto (Works for Cello and Piano)". In this album, this song's track order is #7. In terms of popularity, Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor by Robert Schumann, Anne Gastinel having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 26%
Loudness: -25.659 dB
Acousticness: 99%
Danceability: 38%
Energy: 5%
Instrumentalness: 90%
Liveness: 12%
Loudness: 57%
Speechiness: 4%
Valence: 36%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	G Minor	1	6A	99 BPM
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach)	Robert Schumann, Benjamin Grosvenor	E♭ Major	0	5B	99 BPM
Notturno for Strings and Harp	Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe	A♭ Major	1	4B	75 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
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St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"	Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti	B Minor	1	10A	93 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Arabeske in C Major, Op. 18	Robert Schumann, Jenő Jandó	C Major	0	8B	73 BPM
Piano Concerto No. 23 in A Major, K. 488: II. Adagio	Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini	F♯ Minor	0	11A	108 BPM
Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck	Robert Schumann, Martha Argerich, Mischa Maisky	F Major	0	7B	64 BPM
Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 9, Rose, Meer und Sonne (Ruhig, die letzten Verse mit steigendem Ausdruck)	Clara Schumann, Friedrich Rückert, Robert Schumann, Nicolai Gedda	B Major	2	1B	171 BPM
F-A-E Sonata, WoO 22: II. Intermezzo (Arr. G. Schwabe for Cello & Piano)	Robert Schumann, Gabriel Schwabe, Nicholas Rimmer	F Major	1	7B	86 BPM
Andante festivo, JS 34b (Version for String Orchestra & Timpani)	Jean Sibelius, Sinfonia Lahti, Osmo Vänskä	G Major	2	9B	57 BPM
Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)	Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano)	Yuja Wang	D♭ Minor	1	12A	80 BPM
Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera	Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa	A Major	0	11B	65 BPM
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	E Major	1	12B	86 BPM
Soirées de Vienne, S. 427: No. 6, Allegro con strepito (After F. Schubert) - First version	Franz Liszt, Evgeny Kissin	A Major	1	11B	106 BPM
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II)	Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan	C Major	1	8B	75 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile	Pyotr Ilyich Tchaikovsky, New Haydn Quartet	B♭ Major	0	6B	89 BPM
Ma mère l'oye, M. 62: Apothéose. Le jardin féerique	Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin	C Major	0	8B	62 BPM