Hari Bharwad's ' "Rumzum Karata Avo Ranchhodray" was released on its scheduled release date, June 18, 2016. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Om Paramatma - Harino Marag, Pt. 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Rumzum Karata Avo Ranchhodray's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Rumzum Karata Avo Ranchhodray by Hari Bharwad having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Krishna Chalisa | Kumar Vishu | F♯ Minor | 8 | 11A | 90 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Panda Karaya Raho | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| Vitthal Maza Maza Mi Vitthalacha (Dhun) | Unmesh Tayade, Avinash Sasane | A♭ Minor | 5 | 1A | 108 BPM | ||
| Kala Re Kala Mara | Master Rana | B Minor | 6 | 10A | 164 BPM | ||
| Mhane Khatu Main Bulale Baba Shyam | Sanju Sharma | C Major | 7 | 8B | 75 BPM | ||
| Chalo Bulawa Aaya Hai | Kunal Chanchal | D Major | 8 | 10B | 97 BPM | ||
| Ye Ra Baa Saibaba | Sachidanand Appa | A♭ Major | 5 | 4B | 100 BPM | ||
| Ame Maiyasha Kansra Jana | Raghuveer Kunchala | E♭ Major | 6 | 5B | 137 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Jalkamal Chhandi Jane | Praful Dave | F Major | 7 | 7B | 157 BPM | ||
| WAKE AMBODE SHRINATHJI | Nidhi Dholkiya | C Minor | 6 | 5A | 106 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Shu Bethi Maa Pag Upar Pag | Kanu Patel | B♭ Minor | 4 | 3A | 114 BPM | ||
| Janan Janan Jan Janjalri Vage | Meena Patel | A♭ Major | 5 | 4B | 163 BPM | ||
| Gar Zor Mero Chale | Reshmi Sharma | C Minor | 10 | 5A | 108 BPM | ||
| O Maara Meet - Male Version | Parthiv Gohil | G Major | 7 | 9B | 84 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Shri Mukut Kundal Tilak Charu | Ishanvi, Uttam Singh | C Major | 9 | 8B | 85 BPM | ||
| Helo Maro Sambhdo | Ghanshyam Makvana | F♯ Major | 6 | 2B | 116 BPM | ||
| Aavo Aavo Dasha Mavdi - Original | Hari Bharwad, NA | E♭ Minor | 4 | 2A | 132 BPM | ||
| Bhav Dariya Ke Tir | Birju Barot | B♭ Minor | 9 | 3A | 96 BPM | ||
| Darshan Dejo Re Vahala Shrinathji | Nitin Devka, Nidhi Dholkiya | F♯ Major | 5 | 2B | 155 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM |