Ariane et Barbe-bleue, Act III: Prelude by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini Song Details

"Ariane et Barbe-bleue, Act III: Prelude" by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini had its release date on September 6, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 30 in Dukas: Ariane et Barbe-bleue by Paul Dukas, Gary Bertini, WDR Sinfonieorchester Köln. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ariane et Barbe-bleue, Act III: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Ariane et Barbe-bleue, Act III: Prelude by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -29.969 dB
Acousticness: 94%
Danceability: 15%
Energy: 3%
Instrumentalness: 74%
Liveness: 10%
Loudness: 50%
Speechiness: 5%
Valence: 3%

Recommendations

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Hungarian Dance No. 1 in G Minor: Allegro molto	Johannes Brahms, Staatskapelle Berlin	G Minor	1	6A	91 BPM
Fright Night (arr. L. Moore): Jaws / Night on Bald Mountain / Funeral March of a Marionette / Psycho - The Murder / Addams Family Theme / The Munsters / The Sorcerer's Apprentice / Toccata and Fugue in D minor / The Phantom of the Opera	John Williams, Modest Mussorgsky, Charles Gounod, Bernard Herrmann, Vic Mizzy, Jack Marshall, Bob Mosher, Paul Dukas, Johann Sebastian Bach, Andrew Lloyd Webber, Charles Hart, Richard Stilgoe, Kings High School Chamber Orchestra	A Major	2	11B	64 BPM
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Ariane et Barbe-bleue, Act II: Je vois la mer! … (Selysette, Melisande, Ygraine, Bellangere, Ariane)	Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini	D Major	1	10B	71 BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato	Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo	A Minor	1	8A	86 BPM
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens	Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra	E Minor	1	9A	114 BPM
Lohengrin, Act III: Prelude (Concert Ending)	Richard Wagner, Wiener Philharmoniker, Karl Böhm	G Major	3	9B	111 BPM
Appalachian Spring: II. Allegro	Aaron Copland, Leonard Bernstein, New York Philharmonic	F Major	4	7B	82 BPM
Night on Bald Mountain	Modest Mussorgsky, Leonard Bernstein, New York Philharmonic	D Major	2	10B	105 BPM
Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	C Major	2	8B	96 BPM
The Stars And Stripes Forever	Howard Hanson	D Major	6	10B	134 BPM
Die Walküre, Act III: Ride of the Valkyries	Richard Wagner, Budapest Symphony Orchestra, György Lehel	D♭ Major	1	3B	72 BPM
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	F Major	1	7B	90 BPM
Ariane et Barbe-bleue, Act II: Prelude	Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini	F♯ Major	1	2B	180 BPM
L'apprenti sorcier	Paul Dukas, New York Philharmonic, Dimitri Mitropoulos	D♭ Major	5	3B	132 BPM
Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg und Schmuÿle	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Minor	1	11A	114 BPM
Soirées musicales, Op. 9: II. Canzonetta	Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu	C Major	1	8B	94 BPM
Gli uccelli (The Birds), P. 154: I. Preludio. Allegro moderato	Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio	A Major	1	11B	73 BPM
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction	Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt	C Major	2	8B	82 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Carmen Ballet Suite (after Bizet): IX. Torero	Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut	F Major	5	7B	115 BPM