Symphony for Strings, Op. 118a (Orch. Barshai After String Quartet No. 10): II. Allegretto furioso
Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai
Shostakovich: Chamber Symphonies
4:10 January 1, 2005
BPM
88
Key
F Major
Camelot
7B

Embed

Share Link

Symphony for Strings, Op. 118a (Orch. Barshai After String Quartet No. 10): II. Allegretto furioso by Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai Song Details

Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai's 'Symphony for Strings, Op. 118a (Orch. Barshai After String Quartet No. 10): II. Allegretto furioso' had a release date set for January 1, 2005. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Shostakovich: Chamber Symphonies". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Symphony for Strings, Op. 118a (Orch. Barshai After String Quartet No. 10): II. Allegretto furioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Symphony for Strings, Op. 118a (Orch. Barshai After String Quartet No. 10): II. Allegretto furioso by Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.179 dB
Acousticness
97%
Danceability
38%
Energy
43%
Instrumentalness
93%
Liveness
10%
Loudness
78%
Speechiness
4%
Valence
34%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante by Johannes Brahms, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestBrahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. AndanteJohannes Brahms, Itzhak Perlman, Bernard Haitink, ConcertgebouworkestD Major110B105 BPM
Violin Concerto No. 2 in B Minor, Op. 7, Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. RondoNiccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de VriendB Minor210A105 BPM
Symphony No. 3, Symphony No. 3, "Pastoral Symphony": III. Moderato pesanteRalph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees BakelsC Major08B88 BPM
The Planets, Op. 32: I. Mars, the Bringer of War by Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger NorringtonThe Planets, Op. 32: I. Mars, the Bringer of WarGustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger NorringtonG Major49B133 BPM
Fragments from the Film Music: No. 26 Ophelia's Madness - From 'Hamlet' by Dmitri Shostakovich, I Solisti ItalianiFragments from the Film Music: No. 26 Ophelia's Madness - From 'Hamlet'Dmitri Shostakovich, I Solisti ItalianiD♭ Major03B99 BPM
Toccata by Johann Sebastian Bach, Symphonica Orchestra, Leopold StokowskiToccataJohann Sebastian Bach, Symphonica Orchestra, Leopold StokowskiD Major210B130 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliElgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro moltoEdward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John BarbirolliG Major29B87 BPM
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka by Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo JärviShostakovich: Suite from the Age of Gold, Op. 22: II. PolkaDmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo JärviD Minor17A91 BPM
Ballet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry YablonskyBallet Suite No. 3 (arr. L. Atovmyan): Galop (The Limpid Stream)Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry YablonskyB♭ Major66B79 BPM
The Planets - Suite for large orchestra, Op.32: V. Saturn, the Bringer of Old Age (Adagio) by Sir Simon Rattle, Berliner PhilharmonikerThe Planets - Suite for large orchestra, Op.32: V. Saturn, the Bringer of Old Age (Adagio)Sir Simon Rattle, Berliner PhilharmonikerC Major08B103 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger by Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger NorringtonThe Planets, Op. 32: III. Mercury, the Winged MessengerGustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger NorringtonF Major17B109 BPM
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato by Edvard Grieg, Leonard Bernstein, New York PhilharmonicPeer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcatoEdvard Grieg, Leonard Bernstein, New York PhilharmonicG Major39B119 BPM
Symphony No. 1 in D Major Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsamGustav Mahler, Leonard Bernstein, New York PhilharmonicG Minor06A169 BPM
Samson et Dalila: Bacchanale by Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreistSamson et Dalila: BacchanaleCamille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreistD Minor17A122 BPM
Symphony No. 4, Op. 29, FS 76, CNW 28 Symphony No. 4, Op. 29, FS 76, CNW 28 "Inextinguishable": III. Poco adagio quasi andante -Carl Nielsen, BBC Scottish Symphony Orchestra, Osmo VänskäE Minor19A115 BPM
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. AdagioCarl Maria von Weber, Nino Gvetadze, Frederieke SaeijsG Minor26A65 BPM
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato by Johannes Brahms, David ZinmanSymphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionatoJohannes Brahms, David ZinmanE Minor19A88 BPM
Symphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - Live by Gustav Mahler, New York Philharmonic, Leonard BernsteinSymphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - LiveGustav Mahler, New York Philharmonic, Leonard BernsteinA Minor08A107 BPM
Samson et Dalila, Op. 47, R. 288: Bacchanale by Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony OrchestraSamson et Dalila, Op. 47, R. 288: BacchanaleCamille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony OrchestraA Minor18A122 BPM
Concerto for Two Harpsichords in C Major, BWV 1061: III. Fuga by Johann Sebastian Bach, Sviatoslav Richter, Anatoly Vedernikov, Rudolf Barshai, Moscow Chamber OrchestraConcerto for Two Harpsichords in C Major, BWV 1061: III. FugaJohann Sebastian Bach, Sviatoslav Richter, Anatoly Vedernikov, Rudolf Barshai, Moscow Chamber OrchestraF Major37B132 BPM
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo - 2017 Remastered Version by Alexander Borodin, Leonard Bernstein, New York PhilharmonicPrince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo - 2017 Remastered VersionAlexander Borodin, Leonard Bernstein, New York PhilharmonicF Major27B79 BPM
Symphonie fantastique, Op. 14: V. Songe d'une nuit de Sabbat (Excerpt) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: V. Songe d'une nuit de Sabbat (Excerpt)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingG Minor26A117 BPM
Scythian Suite, Op. 20: III. Night by Sergei Prokofiev, Chicago Symphony Orchestra, Claudio AbbadoScythian Suite, Op. 20: III. NightSergei Prokofiev, Chicago Symphony Orchestra, Claudio AbbadoC Major08B178 BPM
Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto by Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír VálekSpanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. AllegrettoNikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír VálekG Major39B99 BPM
Toccata & Fugue in D Minor, BWV 565 by Johann Sebastian Bach, Boston Symphony Orchestra, Seiji OzawaToccata & Fugue in D Minor, BWV 565Johann Sebastian Bach, Boston Symphony Orchestra, Seiji OzawaD Minor27A93 BPM
ISRC
DEF058902522
Label
L-M Records/RCA Records