- BPM
- 79
- Key
- G Major
- Camelot
- 9B
6 Lyrics, Op. 12b: No. 4, Waltz by George Dyson, Simon Callaghan Song Details
George Dyson, Simon Callaghan's '6 Lyrics, Op. 12b: No. 4, Waltz' had a release date set for October 16, 2020. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 57 in Dyson: Complete Music for Piano by George Dyson, Simon Callaghan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 6 Lyrics, Op. 12b: No. 4, Waltz is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of 6 Lyrics, Op. 12b: No. 4, Waltz by George Dyson, Simon Callaghan is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -31.318 dB
- Acousticness
- 100%
- Danceability
- 52%
- Energy
- 1%
- Instrumentalness
- 94%
- Liveness
- 7%
- Loudness
- 48%
- Speechiness
- 9%
- Valence
- 34%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | |
 | Quo Vadis: IV. Night hath no wings (Tenor, Semi-chorus) | George Dyson, Richard Hickox, BBC National Orchestra Of Wales, Philip Langridge, Steven Burnard, Royal Welsh College of Music and Drama Chamber Choir | C Minor | 1 | 5A | 78 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | |
 | Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | |
 | Concerto leggiero (Version for 2 Pianos): III. Vivace | George Dyson, Simon Callaghan, Cliodna Shanahan | G Major | 0 | 9B | 79 BPM | |
 | Concerto For Oboe And Strings: 2. Minuet & Musette | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 88 BPM | |
 | Bliss: Suite from Miracle in the Gorbals: IV. The Young Lovers | Arthur Bliss, Paavo Berglund, Bournemouth Symphony Orchestra | A Minor | 3 | 8A | 111 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | |
 | 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | |
 | Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | |
 | Sea Pictures: IV. Nocturne "Song of the Watch" | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM | |
 | Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | Alfvén: Suite from The Mountain King, Op. 37: IV. The Hersmaid's Dances | Hugo Alfvén, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 2 | 9B | 150 BPM | |
 | English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | |
 | Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | |
 | Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | |
 | Danish Folk-Music Suite: III. The Nightingale and the Two Sisters | Percy Grainger, Geoffrey Simon, Melbourne Symphony Orchestra | E Major | 1 | 12B | 91 BPM | |
 | Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | |
 | Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | |
 | The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | |
 | The Macau Bride Ballet Suite, Op. 34: IV. The First Glance | Xiaogang Ye, Jia Lu, Macau Orchestra | E♭ Minor | 0 | 2A | 82 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: IIe. Var. 4. Allegretto – Tempo I. Andante | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B Major | 0 | 1B | 138 BPM | |
| Liederkreis, Op. 39: No. 5, Mondnacht (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM |
- ISRC
- GBBZS2062221
- Label
- L-M Records/RCA Records