"White Knuckled" by 大本望美 had its release date on September 21, 2023. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 80 in the song's album "RESIDENT EVIL 4 Original Sound Track". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Japan. White Knuckled is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With White Knuckled by 大本望美 having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ”Two of them. One for each of us!” - El Gigante | 大本望美 | F♯ Major | 8 | 2B | 85 BPM | ||
| Scadu Altus | Tai Tomisawa | F♯ Minor | 0 | 11A | 89 BPM | ||
| Monstrosity | Nao Sato | D Major | 1 | 10B | 111 BPM | ||
| I Thought We Were All Dead | Samuel Laflamme | F♯ Minor | 0 | 11A | 80 BPM | ||
| Drebin 893 | Nobuko Toda, Shuichi Kobori, Kazuma Jinnouchi | A Minor | 1 | 8A | 112 BPM | ||
| In The Ruins | Sound Of Syndrome | F Minor | 3 | 4A | 137 BPM | ||
| Darkwood | Artur Kordas | D Major | 2 | 10B | 110 BPM | ||
| Audience Chamber | 大本望美 | C Major | 9 | 8B | 155 BPM | ||
| Mind the Cyclops | Mike Reagan | B Minor | 6 | 10A | 72 BPM | ||
| In Search of Lost Time | 内山 修作 | F Minor | 3 | 4A | 136 BPM | ||
| Cold Blood | Edgar Rothermich | E Minor | 4 | 9A | 84 BPM | ||
| You Never Let Me Go | Samuel Laflamme | G Major | 2 | 9B | 67 BPM | ||
| Divinity Statue | Yoshiya Terayama | D♭ Major | 4 | 3B | 125 BPM | ||
| Adler | 1000 Eyes, Tom Schley | A♭ Minor | 2 | 1A | 141 BPM | ||
| In The Name Of | SEGA SOUND TEAM, 吉田 沙織 | E Major | 6 | 12B | 100 BPM | ||
| Sign | Nobuo Uematsu | F Major | 4 | 7B | 168 BPM | ||
| Camp | 講本一郎 | A♭ Minor | 1 | 1A | 95 BPM | ||
| Enter The Asylum | Nick Arundel | E♭ Minor | 1 | 2A | 76 BPM | ||
| One Eight Four: On-Scene | Masafumi Takada | F Minor | 1 | 4A | 130 BPM | ||
| Lab of the Damned | Zhenlan Kang | C Minor | 1 | 5A | 77 BPM | ||
| Psycho Mantis | Rich Douglas | D♭ Major | 2 | 3B | 100 BPM | ||
| The Beginning of Fear | 内山 修作 | F Major | 4 | 7B | 168 BPM | ||
| Academy of Raya Lucaria | Yuka Kitamura | D♭ Minor | 6 | 12A | 119 BPM | ||
| Soulless Meat Puppet | Ludvig Forssell | D♭ Minor | 1 | 12A | 184 BPM | ||
| Fear Again | 内山 修作 | D Major | 6 | 10B | 72 BPM |