Janáček: 3 Moravian Dances: No. 1, Ej, danaj!
Leoš Janáček, Mikhail Rudy
Janáček: Piano Works
2:16 July 29, 2022
BPM
80
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Janáček: 3 Moravian Dances: No. 1, Ej, danaj! by Leoš Janáček, Mikhail Rudy Song Details

Leoš Janáček, Mikhail Rudy's 'Janáček: 3 Moravian Dances: No. 1, Ej, danaj!' had a release date set for July 29, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Janáček: 3 Moravian Dances: No. 1, Ej, danaj!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Mikhail Rudy's "Janáček: Piano Works" album is number 23 out of 29. On top of that, France appears to be the country where this track was created. Janáček: 3 Moravian Dances: No. 1, Ej, danaj! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Janáček: 3 Moravian Dances: No. 1, Ej, danaj! by Leoš Janáček, Mikhail Rudy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-18.422 dB
Acousticness
99%
Danceability
46%
Energy
12%
Instrumentalness
86%
Liveness
14%
Loudness
69%
Speechiness
5%
Valence
23%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto by Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice BollonSuite d'orchestre dans le style ancien, Op. 2: II. Sarabande. MestoAlbéric Magnard, Philharmonisches Orchester Freiburg, Fabrice BollonG Minor06A64 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragenClara Schumann, Anneleen Lenaerts, Dionysis GrammenosA♭ Major04B71 BPM
Chant du menestrel for Cello and Orchestra, Op. 71 by Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor GolovschinChant du menestrel for Cello and Orchestra, Op. 71Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor GolovschinF♯ Minor011A87 BPM
Suite No. 1, Suite No. 1, "Orientale": I. Okenstamning: AdagioKurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona PrunyiB Minor110A61 BPM
Die Nacht, D. deest (Arr. Lechner/Márquez for Cello & Guitar) by Franz Schubert, Anja Lechner, Pablo MarquezDie Nacht, D. deest (Arr. Lechner/Márquez for Cello & Guitar)Franz Schubert, Anja Lechner, Pablo MarquezG Major09B85 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi AllegrettoGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaG Major19B88 BPM
Bagatelle, Op. 1: No. 1, Allegretto by Valentin Silvestrov, Natalya PasichnykBagatelle, Op. 1: No. 1, AllegrettoValentin Silvestrov, Natalya PasichnykE♭ Major05B72 BPM
Le tombeau de Couperin: 3. Menuet (version for orchestra) by Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキンLe tombeau de Couperin: 3. Menuet (version for orchestra)Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキンA Major111B107 BPM
Crisantemi by Brodsky QuartetCrisantemiBrodsky QuartetF♯ Minor011A75 BPM
Schluss by Fanny Mendelssohn, Heather SchmidtSchlussFanny Mendelssohn, Heather SchmidtE Major112B87 BPM
Liszt: Wiegenlied, S. 198 by Franz Liszt, Bertrand ChamayouLiszt: Wiegenlied, S. 198Franz Liszt, Bertrand ChamayouA Minor08A62 BPM
Ravel: Cadence for the Video by Yoann Bourgeois (On Adagio from Ravel's Concerto in G, M. 83) by Maurice Ravel, Alexandre TharaudRavel: Cadence for the Video by Yoann Bourgeois (On Adagio from Ravel's Concerto in G, M. 83)Maurice Ravel, Alexandre TharaudE Major112B70 BPM
Elegies BV 249: VII. Berceuse by Ferruccio Busoni, Igor LevitElegies BV 249: VII. BerceuseFerruccio Busoni, Igor LevitC Major08B67 BPM
3 Romances, Op. 11: I. Andante by Clara Schumann, Yoshiko Iwai3 Romances, Op. 11: I. AndanteClara Schumann, Yoshiko IwaiC Major08B66 BPM
String Quartet No. 12 in F major, Op. 96 - String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. LentoAntonín Dvořák, Hagen QuartettD Minor17A88 BPM
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto by Karol Szymanowski, Krystian Zimerman9 Preludes, Op. 1: No. 2 in D Minor. Andante con motoKarol Szymanowski, Krystian ZimermanF Major17B150 BPM
6 Romances sans paroles, Op.76: 6. Meditation by Cécile Chaminade, Daria van den Bercken6 Romances sans paroles, Op.76: 6. MeditationCécile Chaminade, Daria van den BerckenA♭ Major04B128 BPM
Liszt: 12 Études d'exécution transcendante, S. 139: No. 3, Paysage by Franz Liszt, Yoav LevanonLiszt: 12 Études d'exécution transcendante, S. 139: No. 3, PaysageFranz Liszt, Yoav LevanonF Major07B73 BPM
Berceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano) by Frank Bridge, Gerald Peregrine, Antony InghamBerceuse (Version for Cello and Piano): Berceuse (Version for Cello and Piano)Frank Bridge, Gerald Peregrine, Antony InghamB♭ Major06B68 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
3 Pieces in Old Style: No. 1, Aria by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit3 Pieces in Old Style: No. 1, AriaKrzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitB♭ Major06B75 BPM
Ravel: Violin Sonata No. 2 in G Major, M. 77: I. Allegretto by Maurice Ravel, Renaud Capuçon, Frank BraleyRavel: Violin Sonata No. 2 in G Major, M. 77: I. AllegrettoMaurice Ravel, Renaud Capuçon, Frank BraleyG Major09B124 BPM
Keyboard Sonata in F Minor, Kk. 466 - Upright Version by Domenico Scarlatti, Julius AsalKeyboard Sonata in F Minor, Kk. 466 - Upright VersionDomenico Scarlatti, Julius AsalE♭ Major05B68 BPM
6 Songs, Op. 38: No. 3, Margaritki 6 Songs, Op. 38: No. 3, Margaritki "Daisies" (Piano Version)Sergei Rachmaninoff, Howard ShelleyB♭ Major06B129 BPM
Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon by Antonín Dvořák, Anneleen LenaertsDvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the MoonAntonín Dvořák, Anneleen LenaertsF♯ Major02B168 BPM
ISRC
FRZ119001676
Label
L-M Records/RCA Records