On 1964, the song "Avalon" was released by Earl Hines. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Avalon's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 12 in Fatha by Earl Hines. Based on our statistics, Avalon's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Avalon by Earl Hines is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seranade In Blue | Teddy Wilson | E♭ Major | 2 | 5B | 99 BPM | ||
| Mr Jelly Lord | Jelly Roll Morton | B Major | 5 | 1B | 100 BPM | ||
| Hash Brown | Earl Hines | F♯ Major | 5 | 2B | 103 BPM | ||
| It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
| Baby, Won't You Please Come Home | Jimmie Lunceford | F Major | 4 | 7B | 171 BPM | ||
| A Smooth One | Junior Mance | B Major | 5 | 1B | 100 BPM | ||
| Jeep's Blues | Johnny Hodges & His Orchestra | B♭ Major | 2 | 6B | 83 BPM | ||
| You'd Be So Nice To Come Home To | The Al Cohn - Zoot Sims Quintet | G Minor | 3 | 6A | 84 BPM | ||
| Black And Blue | Sidney Bechet | A Minor | 4 | 8A | 90 BPM | ||
| Don't Blame Me | Sonny Criss | B Major | 5 | 1B | 100 BPM | ||
| Twenty Four Robbers | Jimmie Lunceford | B Major | 5 | 1B | 100 BPM | ||
| Doctor Jazz | Jelly Roll Morton | B Major | 5 | 1B | 100 BPM | ||
| Tea For Two | Benny Goodman Quartet | A♭ Major | 4 | 4B | 130 BPM | ||
| I Remember Clifford | John Lewis | E♭ Major | 0 | 5B | 76 BPM | ||
| If I Could Be With You | James P. Johnson | B Major | 5 | 1B | 100 BPM | ||
| Echoes of Harlem | Roy Eldridge | F Minor | 2 | 4A | 82 BPM | ||
| Wild Man Blues | Johnny Dodds | B Major | 5 | 1B | 100 BPM | ||
| Don't Get Around Much Anymore | Woody Herman | F Minor | 3 | 4A | 115 BPM | ||
| Someday You'll Be Sorry | Earl Hines, Wallace Davenport | E♭ Major | 2 | 5B | 145 BPM | ||
| Four Or Five Times | Jimmie Lunceford | B Major | 5 | 1B | 100 BPM | ||
| I Don't Stand A Ghost Of A Chance With You | Clifford Brown, Max Roach | C Major | 2 | 8B | 109 BPM | ||
| Body And Soul | Paul Gonsalves | B♭ Minor | 2 | 3A | 64 BPM | ||
| Bearcat shuffle | Andy Kirk & His 12 clouds of Joy, Andy Kirk | A Minor | 4 | 8A | 155 BPM | ||
| Illinois Goes To Chicago | Illinois Jacquet | D♭ Major | 2 | 3B | 173 BPM | ||
| In The Wee Small Hours Of The Morning | Curtis Fuller | C Major | 1 | 8B | 101 BPM |