"Ephemeris" by Michael Bross had its release date on 2011. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Ephemeris's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Ratchet & Clank: All 4 One (Original Video Game Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Ephemeris's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ephemeris by Michael Bross having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maridia (Swampy Caverns) [From "Super Metroid GMB Cinematic Soundtrack"] | GMB Sound Team | D♭ Major | 4 | 3B | 146 BPM | ||
| Shipwreck | Benjamin Young | G Major | 6 | 9B | 120 BPM | ||
| Orwell (Title Theme) | feeding | ear | F Minor | 1 | 4A | 142 BPM | ||
| Castrati | Hermanos Ferrando | G Major | 4 | 9B | 109 BPM | ||
| That's Not One of Mine | Michael Bross | C Major | 4 | 8B | 172 BPM | ||
| When I Overcome | Michael Bross | E♭ Major | 2 | 5B | 67 BPM | ||
| Welcome to Eden | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Reborn as One | Trevor Gureckis | G Major | 5 | 9B | 92 BPM | ||
| An Ancient Call | Olivier Deriviere | D♭ Major | 3 | 3B | 166 BPM | ||
| Forsaking the Void | Alexei Zakharov | E Minor | 3 | 9A | 140 BPM | ||
| Mistral | Bruno | D♭ Minor | 5 | 12A | 140 BPM | ||
| Umanoide | Non Binary | D♭ Major | 3 | 3B | 100 BPM | ||
| Necropolis | Kyle Misko | A♭ Major | 5 | 4B | 97 BPM | ||
| Collateral Damage | Jon Everist, Paradox Interactive | A♭ Minor | 8 | 1A | 140 BPM | ||
| Frost - Loopable Version | Gabriel Lander | B Minor | 2 | 10A | 77 BPM | ||
| Soul of Darkness | Michael Bross | E♭ Major | 2 | 5B | 67 BPM | ||
| The BattleScene I | Arnaud Roy | E♭ Major | 5 | 5B | 96 BPM | ||
| The Phone Conversation | Michael Bross | E♭ Major | 2 | 5B | 67 BPM | ||
| Shadows of Abaddon | Chronyxis, Epic Foundry | F♯ Minor | 2 | 11A | 136 BPM | ||
| Cuerpos Intrusos | Moon Vagrants | D♭ Minor | 1 | 12A | 110 BPM | ||
| Recovery Phase | Lauren Pham | A Minor | 6 | 8A | 120 BPM | ||
| A Chilly Reception | Antonio Gradanti, Interleave | G Minor | 2 | 6A | 121 BPM | ||
| Dark Carnival | Soundscape | A♭ Major | 4 | 4B | 133 BPM | ||
| Bassoon Concerto No.1-III Allegro Scherzando | Nikolas Eleftheriou | D Minor | 5 | 7A | 85 BPM | ||
| Sector 2 (TRO) | Kassil | G Major | 4 | 9B | 124 BPM |