Johann Sebastian Bach, Saint Paul Chamber Orchestra, Bobby McFerrin's ' "First movement from Concerto for Violin, String Orchestra and Continuo in A minor, BWV 1041" was released on its scheduled release date, July 18, 1995. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Paper Music". In this album, this song's track order is #9. In terms of popularity, First movement from Concerto for Violin, String Orchestra and Continuo in A minor, BWV 1041 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With First movement from Concerto for Violin, String Orchestra and Continuo in A minor, BWV 1041 by Johann Sebastian Bach, Saint Paul Chamber Orchestra, Bobby McFerrin having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Johann Sebastian Bach, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | ||
| Andante cantabile for Cello and String Orchestra, Op. posthumous | Pyotr Ilyich Tchaikovsky, Saint Paul Chamber Orchestra, Bobby McFerrin | B Major | 0 | 1B | 77 BPM | ||
| Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275 | Luigi Boccherini, Saint Paul Chamber Orchestra, Bobby McFerrin | A Major | 0 | 11B | 91 BPM | ||
| Concerto for Mandolin No. 2 in A Minor, Op. 144: I. Maestoso | Raffaele Calace, Julien Martineau, Rinaldo Alessandrini, Concerto Italiano | A Minor | 2 | 8A | 148 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Piano Trio No. 2 in E flat, Op. 100 D.929: 2. Andante con moto | Franz Schubert, Beaux Arts Trio | C Minor | 0 | 5A | 101 BPM | ||
| Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
| Invierno porteno | Gidon Kremer, Kremerata Baltica | G Minor | 1 | 6A | 85 BPM | ||
| Allegro prestissimo from Sonata for Two Cellos | Jean Barrière, Yo-Yo Ma, Bobby McFerrin | B♭ Major | 4 | 6B | 129 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
| Bourree [English Suite No.2 in A minor] | The Swingle Singers | A Major | 2 | 11B | 88 BPM | ||
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
| Harpsichord Concerto No.1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen, Florian Donderer | B♭ Major | 3 | 6B | 169 BPM | ||
| Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Jeremy Denk, Saint Paul Chamber Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
| Intermezzo. A Scene from the Past | Kian Soltani | E Minor | 1 | 9A | 93 BPM | ||
| Suite en la: Gavotte et six Doubles | Jean-Philippe Rameau, Natacha Kudritskaya | G Major | 2 | 9B | 197 BPM | ||
| Tango-habanera (From "Marie Galante") [Arr. for Piano] | Kurt Weill, Dario Müller | F Major | 0 | 7B | 197 BPM | ||
| Hoedown! | Bobby McFerrin, Yo-Yo Ma | G Major | 1 | 9B | 113 BPM | ||
| Sonata in F Minor, Kk. 466 | Domenico Scarlatti, Racha Arodaky | F♯ Minor | 2 | 11A | 53 BPM | ||
| Adagio Assai | Ravel, Arturo Benedetti Michelangeli | E Major | 0 | 12B | 68 BPM | ||
| Harmonies des bois, Op. 76: No. 2, Les Larmes de Jacqueline (Version for Cello & Orchestra) | Jacques Offenbach, Munich Chamber Orchestra, Werner Thomas-Mifune, Hans Stadlmair | C Major | 1 | 8B | 89 BPM | ||
| Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | ||
| Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM |