"Taking It Back" by London Symphony Orchestra had its release date on December 13, 2017. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 87 in the song's album "Sonic Forces Original Soundtrack A Hero Will Rise". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Japan. Taking It Back is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Taking It Back by London Symphony Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fur Elise | London Symphony Orchestra | A Minor | 0 | 8A | 82 BPM | ||
| Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
| Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Anakin's Theme | John Williams, London Symphony Orchestra | F Major | 1 | 7B | 74 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
| I. Allegro con brio from Symphony No. 5 in C minor, Op. 67 - Instrumental | Ludwig van Beethoven, Sir Georg Solti, London Symphony Orchestra | C Minor | 2 | 5A | 99 BPM | ||
| Tchaikovsky: Swan Lake, Op. 20, Act 4: No. 28, Scene. Allegro agitato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Minor | 2 | 1A | 76 BPM | ||
| Symphony No. 6: VI. Allegro | Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam | B♭ Minor | 3 | 3A | 66 BPM | ||
| Bolero | London Symphony Orchestra | F Major | 3 | 7B | 71 BPM | ||
| Sarakiz: I. Allegro | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | C Major | 5 | 8B | 120 BPM | ||
| Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | G Major | 0 | 9B | 118 BPM | ||
| Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
| Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Minor | 3 | 5A | 98 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Blue Danube Waltz | London Symphony Orchestra | D Major | 1 | 10B | 180 BPM | ||
| Vortex | Paul Barker | D Major | 4 | 10B | 77 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 73 BPM | ||
| Requiem, K. 626: Lacrimosa | Wolfgang Amadeus Mozart, Michael Finnissy, Academy of Ancient Music, Stephen Cleobury, Choir of King's College, Cambridge | D Minor | 1 | 7A | 132 BPM | ||
| Freedom / The Execution Bannockburn | James Horner, London Symphony Orchestra | D Major | 1 | 10B | 123 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Sarakiz: III. Dance | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | A Major | 5 | 11B | 130 BPM |