- BPM
- 93
- Key
- A♭ Major
- Camelot
- 4B
Summertime by George Gershwin, Rogerio Tutti, Rogerio Tutti Orchestra Song Details
"Summertime" by George Gershwin, Rogerio Tutti, Rogerio Tutti Orchestra had its release date on May 31, 2019. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rogerio Tutti, Rogerio Tutti Orchestra's "Live, Vol. 2" album is number 6 out of 15. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Summertime is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Summertime by George Gershwin, Rogerio Tutti, Rogerio Tutti Orchestra to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.318 dB
- Acousticness
- 82%
- Danceability
- 36%
- Energy
- 43%
- Instrumentalness
- 82%
- Liveness
- 70%
- Loudness
- 79%
- Speechiness
- 4%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | |
 | Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | |
 | Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | |
 | Eight Concert Etudes Op. 40 Intermezzo | Nikolai Kapustin | F♯ Major | 4 | 2B | 113 BPM | |
 | Let 'Em Eat Cake: Overture | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 122 BPM | |
 | The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | |
 | Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | |
 | Strike Up The Band | Leon Bates, George Gershwin | B♭ Major | 2 | 6B | 94 BPM | |
 | Elgar: Salut d'amour, Op. 12 | Edward Elgar, Min Kym, Gordon Back | E Major | 1 | 12B | 86 BPM | |
 | Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | |
 | 6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | |
 | Suk: Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto - Più mosso | Josef Suk, London Chamber Orchestra, Christopher Warren-Green | G Minor | 1 | 6A | 113 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | |
| Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | Concerto in F: 3. Allegro agitato | George Gershwin, Riccardo Chailly, Stefano Bollani, Gewandhausorchester | B♭ Major | 3 | 6B | 139 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | |
 | The Firebird Suite: VI. Finale - 1919 Version | Igor Stravinsky, Atlanta Symphony Orchestra, Robert Shaw | A Major | 0 | 11B | 100 BPM | |
 | Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | |
 | The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | |
 | Idle Dreams | Arthur Jackson, George Gershwin | F Major | 1 | 7B | 95 BPM | |
 | Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM |
- ISRC
- ITD541900267
- Label
- L-M Records/RCA Records