"Let 'Em Eat Cake: Overture" by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra had its release date on 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 8 out of 90. On top of that, United States appears to be the country where this track was created. Based on our statistics, Let 'Em Eat Cake: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let 'Em Eat Cake: Overture by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Three-Cornered Hat: Suite No. 2 - Three Dances, II. The Miller's Dance - Farruca | Manuel de Falla, Philadelphia Orchestra, Raphael Frühbeck de Burgos | G Major | 2 | 9B | 78 BPM | ||
| The Man I Love | Peter Breiner, Juray Bartos, George Gershwin | A♭ Major | 0 | 4B | 70 BPM | ||
| Youthful Suite: V. English Waltz | Percy Grainger, Richard Hickox, BBC Philharmonic | A Major | 2 | 11B | 74 BPM | ||
| Nocturne for Piano & Orchestra, Op. 16 | Nikolai Kapustin, Frank Dupree, SWR Symphonieorchester, Jakob Krupp, Meinhard Jenne, Dominik Beykirch | G Major | 2 | 9B | 93 BPM | ||
| Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
| Ballet Suite No. 3 (arr. L. Atovmyan): Elegy (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 87 BPM | ||
| VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 3 | 5A | 147 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Gershwin / Transc. Berisch: Porgy and Bess: Summertime | George Gershwin, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | B♭ Minor | 1 | 3A | 80 BPM | ||
| Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
| Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM | ||
| Fauré: Dolly, Op. 56: III. Le jardin de Dolly (Orch. Rabaud) | Gabriel Fauré, French National Radio Orchestra, Sir Thomas Beecham | D♭ Minor | 2 | 12A | 82 BPM | ||
| Trade Winds | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 66 BPM | ||
| A Severn Rhapsody, Op.3 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 66 BPM | ||
| Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
| Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 125 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Promenade: Allegretto moderato | George Gershwin, Frank Braley | D Minor | 0 | 7A | 64 BPM | ||
| Walt Whitman Overture, Op. 7, H. 42 | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, The Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
| Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
| Meditative Flow | Rylandiaa | G Major | 2 | 9B | 136 BPM |