"Cello Concerto, Op. 85 in E Minor: IV. Allegro - Moderato - Allegro ma non troppo - Poco più lento - Adagio" by Edward Elgar, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek had its release date on September 23, 2013. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 14 in Elgar: Cello Concerto, Op. 85 - Tchaikovsky: Variations on a Rococo Theme Op. 33 by Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra. In terms of popularity, Cello Concerto, Op. 85 in E Minor: IV. Allegro - Moderato - Allegro ma non troppo - Poco più lento - Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto, Op. 85 in E Minor: IV. Allegro - Moderato - Allegro ma non troppo - Poco più lento - Adagio by Edward Elgar, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | G Major | 0 | 9B | 91 BPM | ||
| Enigma Variations, Op. 36: Var. 14. Finale. Allegro "E.D.U." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
| String Quartet No. 1: II. Lento cantabile - Live | Michael Tippett, Heath Quartet | D♭ Major | 1 | 3B | 88 BPM | ||
| Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Andrew Manze, Johannes Moser, Orchestre de la Suisse Romande | D Major | 1 | 10B | 83 BPM | ||
| I. Un poco andante - Allegro molto ed agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | ||
| Sonata For Violin And Piano In A: 3. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Itzhak Perlman, Vladimir Ashkenazy | D Major | 1 | 10B | 99 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
| Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods, Op. 68/5, B. 173 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
| Romances, L. 79: Romance No. 1 | Claude Debussy, Luigi Puxeddu, Jolanda Violante | B Minor | 0 | 10A | 66 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
| Suite No. 1 in G Major BWV 1007.: IV. Sarabande | Johann Sebastian Bach, Jean-Guihen Queyras | G Major | 0 | 9B | 84 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Rêverie, L. 68 | Claude Debussy, Luigi Puxeddu, Jolanda Violante | F♯ Major | 8 | 2B | 178 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
| Romance | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | A♭ Major | 1 | 4B | 106 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VII. Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 2 | 11B | 148 BPM | ||
| Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
| Verklärte Nacht, Op.4: 4. Sehr breit und langsam (bar 229) | Arnold Schoenberg, Janine Jansen, Boris Brovtsyn, Amihai Grosz, Maxim Rysanov, Torleif Thedéen, Jens-Peter Maintz | D♭ Major | 1 | 3B | 91 BPM | ||
| Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman/London Philharmonic Orchestra/Seiji Ozawa, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |