- BPM
- 100
- Key
- D♭ Major
- Camelot
- 3B
Chapter 111 - The Future by Catherine Leroux, Karie Richards Song Details
Catherine Leroux, Karie Richards's 'Chapter 111 - The Future' had a release date set for January 16, 2024. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #111. Furthermore, we believe that the track originated from Germany. In terms of popularity, Chapter 111 - The Future is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
BPM and Tempo
With Chapter 111 - The Future by Catherine Leroux, Karie Richards having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -18.409 dB
- Acousticness
- 85%
- Danceability
- 69%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 69%
- Speechiness
- 91%
- Valence
- 25%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | |
 | Three Romances, Op. 94: No. 2, Einfach, innig | Robert Schumann, Jean Johnson, Steven Osborne | D Minor | 2 | 7A | 71 BPM | |
 | O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | |
 | Suite for Flute and Piano Op. 34 No 1: II Scherzo | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | C Major | 1 | 8B | 139 BPM | |
 | Summer Music, Op. 31: I. Slow and Indolent | Samuel Barber, Ensemble Ouranos | A♭ Minor | 0 | 1A | 134 BPM | |
 | 5 Pieces for Cello and Piano: No. 4, Song | James Lentini, Pansy Chang, Siok Lian Tan | A Major | 1 | 11B | 117 BPM | |
 | Tableaux de Provence: II. Cansoun per ma mio | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 71 BPM | |
 | Respectfully Yours (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | E♭ Major | 5 | 5B | 123 BPM | |
 | Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | |
 | Le Tombeau de Couperin: Prélude. Vif | Maurice Ravel, Andrew Litton, Branford Marsalis, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM | |
 | Seven Nuggets: I. Fire Opal | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | |
 | Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Nightlounge | Mia Brentano, Benyamin Nuss, Billy Test | A Minor | 1 | 8A | 106 BPM | |
 | Gaspard de la Nuit, M.55: II. Le Gibet | Maurice Ravel, Shane van Neerden | D Minor | 2 | 7A | 71 BPM | |
 | Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | |
 | Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | |
 | Pacific Triptych (Version for Piano): III. Toccata | Peter Scott Lewis, Blair McMillen | G Minor | 1 | 6A | 75 BPM | |
 | Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 171 BPM | |
 | Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | D Minor | 2 | 7A | 71 BPM | |
 | Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | |
 | Chapter 152 - The Future | Catherine Leroux, Karie Richards | A♭ Minor | 1 | 1A | 84 BPM | |
 | Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | D Minor | 2 | 7A | 71 BPM | |
 | Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | |
 | Horn Sonatina: I. Allegro moderato | Jaroslav Kofroň, Steven Gross, Pascal Salomon | D♭ Major | 0 | 3B | 67 BPM | |
| Chapter 53 - The Future | Catherine Leroux, Karie Richards | F♯ Minor | 0 | 11A | 76 BPM |
- ISRC
- DEUE12467358
- Label
- L-M Records/RCA Records