The Rake's Progress, Act I Scene 3: Cabaletta: I go, I go to him (Anne) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 3: Cabaletta: I go, I go to him (Anne)" was released on its scheduled release date, May 26, 2009. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Rake's Progress, Act I Scene 3: Cabaletta: I go, I go to him (Anne)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 3: Cabaletta: I go, I go to him (Anne) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I Scene 3: Cabaletta: I go, I go to him (Anne) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto	Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner	E Major	1	12B	137 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	D♭ Major	0	3B	80 BPM
St. Paul's Suite, Op. 29 No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	131 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied	Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	100 BPM
Polovetsian Dances from Prince Igor: Allegro	Alexander Borodin, George Szell, The Cleveland Orchestra	D Major	2	10B	108 BPM
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt	Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons	G Major	1	9B	122 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Capriccio espagnol, Op. 34: V. Fandango asturiano	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	1	8A	78 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Don Quixote, Op. 35: II. Don Quixote, the Knight of the Sorrowful Countenance – III. Sancha Panza. Maggiore	Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan	F Major	1	7B	206 BPM
Symphony No. 5: V. Rondo-Finale. Allegro	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	D Major	1	10B	115 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	E♭ Major	1	5B	103 BPM
Also sprach Zarathustra, Op. 30: II. Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	G Minor	0	6A	56 BPM
Daphnis et Chloé, M. 57, Pt. 1: III. Danse grotesque de Dorcon	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	F Major	1	7B	189 BPM
Violin Concerto, Op. 36: III. Finale. Allegro	Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen	D♭ Major	2	3B	124 BPM
The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	4	6B	134 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E Major	2	12B	161 BPM
Turangalîla-Symphonie: I. Introduction	Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons	B Major	4	1B	152 BPM
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	C Minor	5	5A	150 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	84 BPM
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding]	Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft	E Major	2	12B	118 BPM
Pictures at an Exhibition (Orch. Ravel): Promenade I	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F Major	0	7B	88 BPM
Turangalîla Symphonie: 1. Introduction	Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E♭ Minor	4	2A	143 BPM
Petrushka: Danse Russe	Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky	D Minor	5	7A	80 BPM