"WELCOME TO GATEWAY (ウエルカム・トゥ・ゲートウェイ)" by Bill Conti had its release date on 1989. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ロック・アップ オリジナル・サウンドトラック, so we believe that "WELCOME TO GATEWAY (ウエルカム・トゥ・ゲートウェイ)" is a single. WELCOME TO GATEWAY (ウエルカム・トゥ・ゲートウェイ) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of WELCOME TO GATEWAY (ウエルカム・トゥ・ゲートウェイ) by Bill Conti is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Terminator Revives - Remastered 2017 | Brad Fiedel | D♭ Major | 5 | 3B | 133 BPM | ||
| Grace's Prayer | The Hollywood Studio Symphony, John Debney | B♭ Major | 1 | 6B | 109 BPM | ||
| Invictus Theme | Kyle Eastwood, Michael Stevens | A♭ Minor | 1 | 1A | 92 BPM | ||
| End Credits/Sgt. MacKenzie/The Mansions Of The Lord | Joseph Kilna MacKenzie, Nick Glennie-Smith | C Minor | 2 | 5A | 79 BPM | ||
| Reunión y final | Fernando Velázquez | C Major | 1 | 8B | 69 BPM | ||
| King Arthur: Tell Me Now (What You See) | Royal Philharmonic Orchestra | C Major | 2 | 8B | 76 BPM | ||
| Apollo's Death and Funeral | Vince DiCola | G Minor | 1 | 6A | 123 BPM | ||
| Training Montage - Rocky IV Score Mix | Vince DiCola | F Major | 5 | 7B | 81 BPM | ||
| Nice One Skippy | Peter Best | A Major | 3 | 11B | 144 BPM | ||
| ドゥ・イット!(ロック・アップ) | Bill Conti | C Major | 0 | 8B | 70 BPM | ||
| Logo-Bakersfield - Full-Length Version | Harold Faltermeyer | E Major | 4 | 12B | 129 BPM | ||
| Love Scene | Brad Fiedel | D Minor | 0 | 7A | 168 BPM | ||
| Micks Broadcast/Attack The Running Man | Chuck Cirino | D♭ Minor | 2 | 12A | 137 BPM | ||
| Breath of the Silent Valley | Francesco Paolo Filosa, FPF Project | D Minor | 0 | 7A | 76 BPM | ||
| Le illusioni | Andrea Farri | E♭ Major | 2 | 5B | 70 BPM | ||
| Last Letter | Gabriel Yared | G Minor | 2 | 6A | 79 BPM | ||
| Training Montage - From "Rocky IV" Soundtrack | Vince DiCola | B Minor | 8 | 10A | 81 BPM | ||
| McCall's Decision | Harry Gregson-Williams | G Major | 2 | 9B | 140 BPM | ||
| Buon giorno principessa | Nicola Piovani | A Major | 1 | 11B | 86 BPM | ||
| Wine With Stacey - From A View To A Kill | Rich Douglas | A♭ Minor | 1 | 1A | 93 BPM | ||
| Broadcast Attack | Harold Faltermeyer | A Major | 6 | 11B | 140 BPM | ||
| FIRST BASE (ファースト・ベース) | Bill Conti | C Major | 0 | 8B | 70 BPM | ||
| Wild Midnight | Sibille Crawford, Neon Lilith, Janette Vuridon, Royal Philarmonic Cunes | D Minor | 2 | 7A | 81 BPM | ||
| Forrest Gump Main Theme - From "Forrest Gump" | Msmd | B♭ Major | 7 | 6B | 137 BPM | ||
| A las Puertas de Nada | Las Eternas | E♭ Major | 3 | 5B | 81 BPM |