Ranjeet Raja's ' "Mar Bhi Gaya To Saanware Karunga Main Pyar" was released on its scheduled release date, December 28, 2022. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. Because this song is the only song in Mar Bhi Gaya To Saanware Karunga Main Pyar and no other songs are present in the album, we classify this track as a single. Based on our statistics, Mar Bhi Gaya To Saanware Karunga Main Pyar's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mar Bhi Gaya To Saanware Karunga Main Pyar by Ranjeet Raja to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Apne Ancharwa Ke Chhahiyan | MANOJ TIWARI, Surbhi | E Major | 6 | 12B | 113 BPM | ||
| Parbhu Aajao Akbar | Anju Sharma | E♭ Major | 5 | 5B | 84 BPM | ||
| Jinke Ram | Ram Shankar, Rajesh Johri | E♭ Minor | 7 | 2A | 85 BPM | ||
| Om Mahalaxmi Namo Namah | Ananya Prakash | D Major | 9 | 10B | 124 BPM | ||
| Tujhe Kya Mila | Arshad Kamli, Naim Sabri | B♭ Minor | 9 | 3A | 174 BPM | ||
| O Taaran Hare | Vaibhav Bagmar Balotra | B♭ Minor | 9 | 3A | 122 BPM | ||
| Maine Mehandi Lagai Re Shiv Naam Ki | Devendra Pathak | F♯ Major | 10 | 2B | 138 BPM | ||
| Chham Chham Karta Aaya Mausam | Udit Narayan | D Major | 6 | 10B | 110 BPM | ||
| Tumne to Lautne Ka Irada Nahi Kiya | Altaf Raja | F♯ Minor | 10 | 11A | 98 BPM | ||
| Har Gyaras Ko | Brijraj Singh Lakkha | D Minor | 8 | 7A | 80 BPM | ||
| Mandir Ki Seedhi - Hindi | Mohit Sai | A♭ Major | 10 | 4B | 115 BPM | ||
| Main Tere Lie Kya Likhu | Sheetal Pandey | Sheetal Pandey | E♭ Major | 6 | 5B | 142 BPM | ||
| Sampurana Ramayan, Pt. 10 - Balkand | Ravindra Jain | C Minor | 6 | 5A | 107 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Terah Pediya - Vivek Sharma | Vivek Sharma | A Major | 7 | 11B | 132 BPM | ||
| Balaji Deewana | Uma Lahari | D♭ Major | 6 | 3B | 99 BPM | ||
| Man Se Jo Sai Ka Gungan Karega | Paras Jain | B♭ Major | 5 | 6B | 91 BPM | ||
| O Maiya Kyu Hamse Mukh Moda | Ranjeet Raja | B♭ Major | 7 | 6B | 73 BPM | ||
| Mata Anjani Ke Lal | Shikha Rana | B Minor | 8 | 10A | 130 BPM | ||
| Trishula Maa Tara Laal Kate | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Meera Bhajan - Mohan Aao Toh Sahi | Rekha Rao | A♭ Minor | 9 | 1A | 94 BPM | ||
| Mera Aapki Kripa Se | Ranjeet Raja | A♭ Major | 10 | 4B | 75 BPM | ||
| Douru Douru Ahe Janni | Poonam Mishra | B♭ Minor | 7 | 3A | 150 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Sajne Ka Hai Saukin | Shubham Rupam | A♭ Major | 7 | 4B | 100 BPM |