"4 Sketches, Op. 15: III. Dreaming" by Amy Beach, Raphaela Gromes, Julian Riem had its release date on February 3, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 33 in Femmes by Raphaela Gromes, Lucerne Festival Strings, Julian Riem, Daniel Dodds. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 4 Sketches, Op. 15: III. Dreaming's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Sketches, Op. 15: III. Dreaming by Amy Beach, Raphaela Gromes, Julian Riem is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 102 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Butterfly Lovers Violin Concerto: III. Adagio assai doloroso | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez, Ng Pei-Sian | D Major | 1 | 10B | 101 BPM | ||
| Serenade "Ständchen" after Richard Strauss | Amy Beach, Martina Frezzotti | E♭ Minor | 2 | 2A | 89 BPM | ||
| Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Nocturne No. 2 in C Minor, H. 25 | John Field, Benjamin Frith | C Minor | 0 | 5A | 98 BPM | ||
| Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | B Major | 0 | 1B | 115 BPM | ||
| Trois morceaux caractéristiques, Op. 28: II. Menuet Italien | Amy Beach, Joanne Polk | A♭ Major | 0 | 4B | 66 BPM | ||
| The Truman Show: Truman Sleeps - Short Version | Philip Glass, Valentina Lisitsa | A♭ Major | 0 | 4B | 95 BPM | ||
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
| Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
| Grain Moon | Olivia Belli, Anna Lapwood | D♭ Major | 0 | 3B | 63 BPM | ||
| Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 2, Berceuse, Op. 40: No. 2, Berceuse | Amy Beach, Alessandro Clerici, Elena Brunello | D Major | 0 | 10B | 73 BPM | ||
| La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
| Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
| Touch Her Soft Lips and Part (From "Henry V") | William Walton, John Rutter, Aurora Orchestra | D Major | 2 | 10B | 108 BPM | ||
| Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 137 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM |