Raphaël Feuillâtre's ' "8 Valses Poeticos: No. 7, Vivo (Arr. Raphaël Feuillâtre)" was released on its scheduled release date, July 4, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Raphaël Feuillâtre: Guitar Recital". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, 8 Valses Poeticos: No. 7, Vivo (Arr. Raphaël Feuillâtre) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 8 Valses Poeticos: No. 7, Vivo (Arr. Raphaël Feuillâtre) by Raphaël Feuillâtre having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estrellita - 2025 Remastered Version | Manuel Ponce, Pedro Del Toro | D Major | 1 | 10B | 104 BPM | ||
| Keyboard Sonata in D Minor, R. 39 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | A Minor | 2 | 8A | 86 BPM | ||
| Faded Polaroids | Theo Vos | D Minor | 2 | 7A | 115 BPM | ||
| Peer Gynt Suite No. 2, Op. 55: Solveig's Song | Jenő Hubay, Edvard Grieg, Nora Shulman, Judy Loman | A Minor | 1 | 8A | 99 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Reed Tetzloff, John Eliot Gardiner, Orchestre Philharmonique Du Luxembourg | D♭ Major | 0 | 3B | 92 BPM | ||
| The Arts and the Hours | Víkingur Ólafsson, Jean-Philippe Rameau | D♭ Major | 0 | 3B | 136 BPM | ||
| 8 Valses Poeticos: No. 1, Melodico (Arr. Raphaël Feuillâtre) | Raphaël Feuillâtre | A Major | 0 | 11B | 44 BPM | ||
| Andante No. 12 in B Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | B♭ Minor | 0 | 3A | 119 BPM | ||
| La Catedral: III. Allegro solemne | Agustín Barrios Mangoré, Raphaël Feuillâtre | B Minor | 3 | 10A | 129 BPM | ||
| Bach, JS / Arr Yang: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Air on a G string) | Johann Sebastian Bach, Xuefei Yang | D Major | 0 | 10B | 79 BPM | ||
| Forgotten Dances: No. 4, Barcarolle - The Maiden Voyage | Thomas Adès, Sean Shibe | F Major | 0 | 7B | 67 BPM | ||
| El Añil y El Corozo | Pablo Briceño | G Major | 0 | 9B | 120 BPM | ||
| Arpeggione Sonata in A Minor, D. 821 (Arr. J. Williams for Guitar and Orchestra): II. Adagio | Franz Schubert, John C. Williams, Richard Tognetti, Australian Chamber Orchestra | B Major | 0 | 1B | 51 BPM | ||
| 2 Nocturnos, Op. 11: No. 1 - Arr. for Guitar by Gerard Cousins | José Ferrer, Gerard Cousins | F Minor | 0 | 4A | 98 BPM | ||
| Gnossienne No. 1 (Arr. Dyens for Guitar) | Erik Satie, Alexandra Whittingham | E Minor | 0 | 9A | 108 BPM | ||
| Soir et matin, Op. 76: I. Soir | Mel Bonis, Neave Trio | E Minor | 0 | 9A | 63 BPM | ||
| Préludes, Book 1, L. 117: No. 8, La fille aux cheveux de lin (Arr. for Guitar) | Claude Debussy, Paul Galbraith | G Minor | 1 | 6A | 143 BPM | ||
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Raphaël Feuillâtre, Verbier Festival Chamber Orchestra, Gábor Takács-Nagy, Verbier Festival Orchestra | B Minor | 1 | 10A | 116 BPM | ||
| Sospiri, Op. 70 (Arr. Anon. for Violin & Piano) | Edward Elgar, Braimah Kanneh-Mason, Konya Kanneh-Mason | D Minor | 1 | 7A | 101 BPM | ||
| Norma, Act I Scene 1: Casta Diva (Arr. for Piano by Justin Taylor) | Vincenzo Bellini, Justin Taylor | F Major | 0 | 7B | 69 BPM | ||
| Dreaming, Op. 15: No. 3 | Amy Beach, Eline Marlene | D♭ Major | 0 | 3B | 75 BPM | ||
| Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Benjamin Grosvenor | B Major | 2 | 1B | 122 BPM | ||
| Concerto Magna Carta: Cadenza | Xuefei Yang, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Winterbourne Preludes: V. Serenity | Stephen Goss, Gerard Cousins | A Minor | 0 | 8A | 132 BPM | ||
| Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM |