Bernardo Pasquini, Rinaldo Alessandrini's ' "Corrente IV" was released on its scheduled release date, April 1, 1991. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #28. In terms of popularity, Corrente IV is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Corrente IV by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Almiro, entro il mio petto (Live) | Bernardo Pasquini, Juan Sancho, Morgan Pearse, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Sonate in A Minor: I. Preludio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Minor | 4 | 1A | 134 BPM | ||
| Signori con licenza (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Margherita Maria Sala, Rupert Charlesworth, Juan Sancho, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | F Major | 2 | 7B | 88 BPM | ||
| Trio Sonata in A Minor, BuxWV 254: I. Adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
| Concerto for Violin and Bassoon in G Minor: II. Grave | Giuseppe Antonio Brescianello, David Plantier, Eckhard Lenzin, La Cetra Barockorchester Basel, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Hor ch'il ciel fra densi horrori, Cantata for Soprano, Bass, Violins and Continuo: Duet. Ahi dell'huom barbare voglie | Bernardo Pasquini, Ensemble Capella Tiberina, Giovanni Caruso, Sharon Rostorf-Zamir, Furio Zanasi | F♯ Minor | 3 | 11A | 130 BPM | ||
| Cuckoo Toccata | Bernardo Pasquini, Igor Kipnis | A Major | 3 | 11B | 143 BPM | ||
| Die mit Tränen säen, JLB 8: III. Tau und Tränen | Johann Ludwig Bach, William Shelton, Capella Sollertia, Johanna Soller | A♭ Minor | 1 | 1A | 81 BPM | ||
| Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
| Confitebor tibi, Domine, RV 596: III. Terzetto, "Sanctum et terribile nomen ejus" | Antonio Vivaldi, Margherita Maria Sala, Valerio Contaldo, Alessandro Ravasio, Coro e Orchestra Ghislieri, Giulio Prandi | B Major | 1 | 1B | 110 BPM | ||
| Tenetelo, legatelo (Live) | Bernardo Pasquini, Anita Giovanna Rosati, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | ||
| Concerto Armonico No. 6 in E-Flat Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 126 BPM | ||
| Henry Purcell: Two in one upon a Ground | Charivari Agréable | A♭ Minor | 1 | 1A | 77 BPM | ||
| Litaniae de Sancto Xaverio, ZWV 156: Pauperrime | Jan Dismas Zelenka, Hana Blaziková, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F♯ Minor | 0 | 11A | 96 BPM | ||
| Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | ||
| Stabat mater: I. Stabat mater dolorosa | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | B Minor | 1 | 10A | 97 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | ||
| Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Missa "Trinitas in unitate veneranda", WerW B.1 (III/14): I. Kyrie Eleison | Gregor Joseph Werner, Magdalene Harer, Alex Potter, Hans-Jörg Mammel, Anton Haupt, La Festa Musicale, Anne Marie Harer | A♭ Minor | 1 | 1A | 81 BPM | ||
| F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
| Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Griet Cornelies, Peter de Groot, Ian Honeyman, Paul Dombrecht | A♭ Minor | 1 | 1A | 136 BPM | ||
| Il martirio dei santi Vito, Modesto e Crescenzia: Sinfonia | Bernardo Pasquini, Les Paladins, Jérôme Corréas | A♭ Minor | 0 | 1A | 77 BPM |