David Fieldsend's 'Finale' had a release date set for June 7, 2024. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 51 in the song's album "The Dancing Years: First Complete Recording (All Star 2010 Studio Cast First Complete Recording)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finale by David Fieldsend having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
| Warlock: Captain Stratton's Fancy | Peter Warlock, Nina Walker, Robert Lloyd | A Major | 0 | 11B | 115 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Roig: Cecilia Valdés: "Salida de Cecilia" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | C Major | 2 | 8B | 111 BPM | ||
| Bellini: I puritani: "Il rival salvar tu die" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Alles bleibt still" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 77 BPM | ||
| Eugene Onegin (Lyrical scenes in three acts) (Act 1): Duet and Quartet; Tatyana: Have you heard beyond the grove | Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra | G Minor | 1 | 6A | 67 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: VIa-b. I Went to Sleep – Another Marvel | Edward Elgar, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | C Minor | 0 | 5A | 104 BPM | ||
| Finale | David Fieldsend | C Major | 3 | 8B | 89 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia | Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky | D Minor | 1 | 7A | 82 BPM | ||
| Peter and the Wolf, Op. 67: IX. Peter Prepares to Catch the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 112 BPM | ||
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| H.M.S. Pinafore, Act I: The Nightingale | Gilbert & Sullivan Society of Houston | A♭ Major | 1 | 4B | 89 BPM | ||
| Wagner: Tannhäuser, Act 3: "Wie Todesahnung, Dämmrung deckt die Lande" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | E Major | 0 | 12B | 129 BPM | ||
| Die Fledermaus / Act 1: "Nein, mit solchen Advokaten" | Johann Strauss II, Kiri Te Kanawa, Wolfgang Brendel, Anton Wendler, Wiener Philharmoniker, André Previn | G Major | 3 | 9B | 151 BPM | ||
| Gounod: Faust, Act 4: "Seigneur, daignez permettre à votre humble servante" (Marguerite, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Cheryl Studer, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Gounod: Faust, Act 1: "Rien ! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| Die Fledermaus / Act 1: "Komm mit mir zum Souper" | Johann Strauss II, Wolfgang Brendel, Olaf Bär, Wiener Philharmoniker, André Previn | E Major | 2 | 12B | 104 BPM |