Bijli Rani, Rekha Rani, Barkha Rani's ' "Siphiya Daka Daale - Group Mein" was released on its scheduled release date, March 8, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Palang Tod Naach Stage Programme Vol-2". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Siphiya Daka Daale - Group Mein's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Siphiya Daka Daale - Group Mein by Bijli Rani, Rekha Rani, Barkha Rani having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holi Hai | Bijli Rani, Subhash Kumar | E Minor | 5 | 9A | 119 BPM | ||
| Chalo Virandavan | Ramkumar Lakha | G Minor | 8 | 6A | 120 BPM | ||
| Kashi Bhola Ke Rajdhani | Bharat Sharma Vyas | B♭ Minor | 8 | 3A | 132 BPM | ||
| De Daiyo Baba | Satish | A♭ Major | 9 | 4B | 162 BPM | ||
| Maiya Aan Pade Tere Dware | Saksham Goyal | F Minor | 10 | 4A | 192 BPM | ||
| Shubharambh (Shree Durga Stuti Path) | Saurabh Madhukar, Keshav Madhukar | F Minor | 6 | 4A | 96 BPM | ||
| Pappu Kaay Ke Lane Jag Rayo Bundeli Hasya Lokgeet | JaiSingh Raja, Veena Pandit | F♯ Major | 8 | 2B | 80 BPM | ||
| Danteshwari Dai | Dukalu Yadav | B♭ Minor | 9 | 3A | 82 BPM | ||
| Lage Bimari Payse Ki - Hindi | Parmod Kumar | C Minor | 7 | 5A | 132 BPM | ||
| Bhalobese Bhikhari Holam | Gostho Gopal Das | F♯ Major | 7 | 2B | 92 BPM | ||
| Ghani Khamma Deshana Dham Ne | Keshav Depawat | E♭ Major | 8 | 5B | 130 BPM | ||
| Sun Ae Suruj Mal | Bijli Rani | F♯ Minor | 5 | 11A | 121 BPM | ||
| Runiche Wala Raja Khamma Ghani | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Tor Bina Jeeye Naye Paarbaye | Manoj Dehati, Payal Mukherji | E Minor | 7 | 9A | 78 BPM | ||
| Piya More Bohot Nadan Baa | Bijli Rani | E Minor | 6 | 9A | 160 BPM | ||
| Jasoda Nachato go Ma | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Ram Naam Nahi Man Me Dhara | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Chhora Chhori | Saint Dr Gurmeet Ram Rahim Singh Ji Insan | G Minor | 5 | 6A | 160 BPM | ||
| Kiriya Khake Kaha Raja Jaldi Aa Jaiha | Golu Raja | G Major | 10 | 9B | 95 BPM | ||
| Palna | Chhagan Chougule | G Major | 5 | 9B | 133 BPM | ||
| Jahoon Bazar Mithai Lahoon | Kuleshwar Tamrakar, Rajani Rajak | E♭ Major | 6 | 5B | 87 BPM | ||
| Gulari Ke Phool | Bijli Rani | A♭ Major | 9 | 4B | 116 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Man Mora Aasha Dekhe | Satish Das | G Major | 7 | 9B | 72 BPM | ||
| Marudhar Ri Dhrti Par Midar Baniyo Bhari | Prakash Mali, Mahendra Singh, Daksha Prajapati | G Major | 8 | 9B | 98 BPM |