Rekha Trivedi's ' "Junu To Thayu Re Deval" was released on its scheduled release date, 1986. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Smaran". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. The popularity of Junu To Thayu Re Deval is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Junu To Thayu Re Deval by Rekha Trivedi having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samro Mantra Bhalo Navkar | Manhar Udhas | D♭ Major | 5 | 3B | 125 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Mata Rani Teri Jay Jay Kar | Anil Hanslas | B Major | 6 | 1B | 80 BPM | ||
| Shree Krishna Sharanam Mamah | Bharatkumar Pathak, Rekha Trivedi | B Major | 6 | 1B | 171 BPM | ||
| Sui Ja Re Sui Ja O Maara Bal | Dipali Somaiya | E Minor | 4 | 9A | 102 BPM | ||
| Jeevado Jasi Re Jag Mein | Bhawar Chaudhari, Rekha Trivedi, Shila Sethiya | B♭ Minor | 5 | 3A | 135 BPM | ||
| Sukhni Sima Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Bar Re Jatan | Poonam Mishra | D♭ Major | 4 | 3B | 108 BPM | ||
| Majhya Saine Chamtkar Kela | Sachidanand Appa | D♭ Major | 5 | 3B | 125 BPM | ||
| Paras Re Teri Kathin Dagariya | Ravindra Jain | A♭ Major | 8 | 4B | 79 BPM | ||
| Khamma Khamma Mhara Ghani Khamma | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya | E♭ Major | 5 | 5B | 95 BPM | ||
| Zuduk Ali Varyachi | Vishal Bawane | D♭ Major | 8 | 3B | 157 BPM | ||
| जय संतोषी माता आरती | मैं तो आरती उतारू रे संतोषी माता की | Hari cassettes | F Minor | 4 | 4A | 150 BPM | ||
| Shree Radhavar Kunj Bihari | Mridul Krishan Shastri Ji | B Major | 4 | 1B | 79 BPM | ||
| Kanudo Kalo Kaho | Lalita Ghodadra | E♭ Major | 6 | 5B | 137 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Paranya Atle Pyara Laadi | Rekha Trivedi | D Major | 1 | 10B | 71 BPM | ||
| Mogarana Phul Sakhi Mogarana Phul | Hemant Joshi | F Major | 6 | 7B | 93 BPM | ||
| Jain Dharam Ke Hire Moti | Pawan Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| Shiv Amritwani 2 | Chetna | F Major | 6 | 7B | 140 BPM | ||
| Mila Vatan ka khula nimantran | Brahma Kumaris | D Major | 3 | 10B | 75 BPM | ||
| Preeti Na Avsariye | Rekha Trivedi, Uday Mazumdar | D♭ Major | 6 | 3B | 131 BPM | ||
| Enendu Bedali Gururaya | Suhas M | C Minor | 5 | 5A | 110 BPM |