On October 21, 1996, the song "Bloody Rhonda Mine (Introduced by Peter Cook) - 1996 Remaster" was released by Dudley Moore. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "The Complete Beyond The Fringe". In this album, this song's track order is #8. Based on our statistics, Bloody Rhonda Mine (Introduced by Peter Cook) - 1996 Remaster's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bloody Rhonda Mine (Introduced by Peter Cook) - 1996 Remaster by Dudley Moore having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Gioconda / Act 3: Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 1 | 12B | 101 BPM | ||
| Turandot: Nessun dorma! | Giacomo Puccini, Ludmila Peterková, Irina Kondratenko | C Major | 0 | 8B | 69 BPM | ||
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| Canteloube: Chants d'Auvergne, Vol. 1: No. 2, Baïlèro | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre Lamoureux | B♭ Major | 1 | 6B | 63 BPM | ||
| The Gadfly, Op. 97: No. 4, Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
| By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
| Estrellita | Manuel Ponce, Joshua Bell, Michael Stern | F♯ Major | 2 | 2B | 118 BPM | ||
| Forgotten Dreams (Arr. R. Hayman) | Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman | A Major | 2 | 11B | 112 BPM | ||
| Concertino for Clarinet and Strings (Mvt II) | Charles Camilleri, jessicaellulmusic | D Minor | 0 | 7A | 142 BPM | ||
| Sospiri Op. 70 | Edward Elgar, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | F Major | 0 | 7B | 78 BPM | ||
| Take A Pew and The End of the World | Jonathan Miller, Alan Bennett, Dudley Moore, Peter Cook | B♭ Major | 3 | 6B | 140 BPM | ||
| Inspector Morse Theme | Barrington Pheloung | A Minor | 1 | 8A | 66 BPM | ||
| I Can Give You the Starlight (From "The Dancing Years") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | E♭ Major | 0 | 5B | 67 BPM | ||
| Spartacus | Aram Khachaturian, Orchestra of the Royal Opera House & Covent Garden, Barry Wordsworth | B Major | 1 | 1B | 93 BPM | ||
| Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Brahms Symphony No. 3 - 3rd Movement | John Keating/London Symphony Orchestra | C Minor | 1 | 5A | 116 BPM | ||
| Overture: The Wasps | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B♭ Major | 1 | 6B | 137 BPM | ||
| Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | ||
| Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Mariss Jansons, Oslo Philharmonic Orchestra | F Major | 1 | 7B | 88 BPM | ||
| Strictly for the Birds | Cleo Laine, Dudley Moore | F♯ Minor | 2 | 11A | 115 BPM | ||
| And the Same to You | Peter Cook, Dudley Moore, Jonathan Miller, Alan Bennett | A♭ Major | 4 | 4B | 150 BPM | ||
| The Syncopated Clock | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | F Major | 4 | 7B | 115 BPM | ||
| Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 | Frédéric Chopin, Vladimir Ashkenazy | F Major | 1 | 7B | 132 BPM |