The Rake's Progress, Act I Scene 1: Recitative. Here I stand… (Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 1: Recitative. Here I stand… (Tom)" was released on its scheduled release date, May 26, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 1: Recitative. Here I stand… (Tom) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act I Scene 1: Recitative. Here I stand… (Tom) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Oedipus Rex: Epilogue	Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft	D♭ Major	6	3B	90 BPM
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Nocturnes, L. 91: II. Fêtes (Arr. by Denis Herlin)	Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder	A Major	0	11B	88 BPM
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live	Dmitri Shostakovich, Emerson String Quartet	C Major	0	8B	60 BPM
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La Mer, L.109: 2. Play of the Waves (Jeux de vagues)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	1	12B	113 BPM
Piano Concerto No. 1, Op. 45: I. Con grandezza	Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu	G Major	1	9B	70 BPM
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E♭ Major	2	5B	69 BPM
St. Paul's Suite, Op. 29 No. 2: III. Intermezzo	Gustav Holst, English Sinfonia, Howard Griffiths	E Minor	1	9A	131 BPM
Fauré: Élégie in C Minor, Op. 24	Gabriel Fauré, Jacqueline du Pré, Gerald Moore	A♭ Major	0	4B	56 BPM
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt	Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons	G Major	1	9B	122 BPM
Sinfonietta: IV. Allegretto (The Street Leading to the Castle) - Live	Leoš Janáček, Leon Botstein, American Symphony Orchestra	F♯ Major	1	2B	138 BPM
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The Rite of Spring, Part 1: IV. Spring Rounds	Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	B♭ Minor	0	3A	90 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM