Mark Richardson's 'Poltergeist' had a release date set for April 4, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rattle". In this album, this song's track order is #4. Based on our statistics, Poltergeist's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Poltergeist by Mark Richardson having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Computer Logic | Mark Richardson, Phil Reynolds | D♭ Major | 10 | 3B | 142 BPM | ||
| Chorus Mysticus: Alles Vergangliche ist nur ein Gleichnis (Chorus) | Julius Röntgen, Machteld Baumans, Marcel Beekman, Andre Morsch, Andreas Post, Mark Richardson, Dennis Wilgenhof, Gijs van Schoonhoven, Koor van de Nationale Reisopera, Netherlands Symphony Orchestra, David Porcelijn | B♭ Major | 1 | 6B | 89 BPM | ||
| Verdi: Macbeth, Act 1: Giorno non vidi mai sì fiero e bello! (Macbeth/Banco/Streghe) | Giuseppe Verdi, Sherrill Milnes, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 79 BPM | ||
| Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | ||
| H.M.S. Pinafore, Act I: A Maiden Fair to See | Gilbert & Sullivan Society of Houston | C Major | 3 | 8B | 129 BPM | ||
| Ernani / Part 1: Preludio | Giuseppe Verdi, Orchestra of the Welsh National Opera, Richard Bonynge | D Major | 2 | 10B | 84 BPM | ||
| Romberg: The Desert Song, Act 1: "I Want a Kiss" (Paul, Margot, Chorus) | Sigmund Romberg, Michael Collins, Edmund Hockridge, June Bronhill, The Williams Singers, Michael Collins Orchestra | F♯ Major | 2 | 2B | 97 BPM | ||
| Oklahoma!, Act 1: No. 11, It's a Scandal! It's a Outrage! | Richard Rodgers, Nadim Naaman, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson | D Major | 4 | 10B | 125 BPM | ||
| Delibes: Lakmé: Prélude | Léo Delibes, Alain Lombard, Orchestre du Theatre National de IOpera-Comique | D♭ Major | 2 | 3B | 113 BPM | ||
| Thor - Club Mix | Mark Richardson | B♭ Major | 10 | 6B | 140 BPM | ||
| Candide / Act I: 8. Dear Boy | Leonard Bernstein, Adolph Green, London Symphony Orchestra, London Symphony Chorus | F Major | 1 | 7B | 133 BPM | ||
| Puccini: Madama Butterfly, Act 1: "E soffitto… e pareti" (Pinkerton, Goro) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 131 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Cwm Rhondda / Guide Me, O Thou Great Jehovah | John Hughes, Bryn Terfel, Welsh National Opera Orchestra, Gareth Jones, The Black Mountain Choir, The Risca Choir | A♭ Major | 3 | 4B | 80 BPM | ||
| Peter and the Wolf, Op. 67: And Now This Is How Things Stood | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 99 BPM | ||
| The Mikado / Act 1: 15. The threaten'd cloud has pass'd away | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 115 BPM | ||
| Rigoletto / Act 3: Della vendetta alfin giunge l'istante (Rigoletto, Sparafucile, Duca) | Giuseppe Verdi, Vladimir Chernov, Roberto Scandiuzzi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A Major | 9 | 11B | 99 BPM | ||
| Rossini: Stabat Mater: VII. Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | ||
| Can't help lovin' dat man | Jerome Kern, John McGlinn/Ambrosian Chorus/London Sinfonietta/Frederica von Stade/Teresa Stratas/Karla Burns/Bruce Hubbard, John McGlinn, London Sinfonietta | E♭ Major | 2 | 5B | 131 BPM | ||
| Va pensiero (Chorus of the Hebrew Slaves) (from Nabucco) | Robert Shaw Chorale, RCA Victor Orchestra, Robert Shaw | G Major | 3 | 9B | 66 BPM | ||
| H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
| Missa Alleluja: Dona nobis pacem | Heinrich Ignaz Franz von Biber, St. Florianer Sängerknaben, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 97 BPM | ||
| The Poisoned Kiss, Act I: Here we come… (Hob, Lob, Gob, Dipsacus, Chorus) | Ralph Vaughan Williams, Richard Hickox, BBC National Orchestra Of Wales, Neal Davies, John Graham-Hall, Richard Suart, Mark Richardson, Adrian Partington Singers | G Minor | 3 | 6A | 124 BPM | ||
| West Side Story: XI. The Rumble | Leonard Bernstein, Leonard Bernstein Orchestra | G Minor | 4 | 6A | 197 BPM | ||
| Donizetti: Lucia di Lammermoor, Act III: Bridal Chorus. "D'immenso giubilo" | Gaetano Donizetti, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 131 BPM |